American Cinematographer - October 2006 - 109

longer focal lengths. The system uses
two detection methods (gyro and vector)
to sense the widest range of vibrations
at

■ SPEED CAMERAS Will UNPARALLELED PERFORMANCE, WAGE 1UALITV AND RELIABILITY.

from handheld shake, to vibration from a

moving vehicle. By using optical stabi¬
lization, it can compensate for a greater
degree of camera shake and avoid any
loss in image quality, unlike electronic
image stabilizers.

AND DIGITAL CAMERAS

The XH A1 and XH G1 models
feature Canon's

new

Instant AF focusing

system. It offers a dramatic improve¬
ment in auto focus speed and accuracy
(compared to traditional auto focus
systems). The Instant AF feature uses an

,

i

external sensor, in combination with

Canon's auto focus system, to signifi¬
cantly decrease the time it takes to find
focus, even in low light conditions. This
new system achieves focus instanta¬
neously, reducing focus "hunting."
Users can especially see the benefits of
Instant AF in high brightness, and night
shooting situations. Camera operators
can capture fast, accurate focusing,
even when following a moving subject.
The XFH A1 and XFI G1

®

SUPER IB, AND

35MM SPLASH HOUSINGS

n

SERVINS THE MOTION PICTURE INDUSTRV SINCE 19P8

Photo-Sonics Inc.
820 South

Mariposa Street * Burbank, CA 91506
E-mail rental@photosonics.com * Web-site www.photosonics.com
Ph: 818.531.3240

cam¬

*

Fax: 818.531.3258

corders feature Canon's DIGIC DV II

proprietary digital signal processor,
designed specifically for
FID acquisition. Found also in Canon's
flagship XL H1 FID camcorder, the DIGIC
DV II processor provides highly accurate
color and tonal reproduction needed for
high HD image quality. A new noise
reduction system, combined with a new
gamma system, helps to reduce noise in

which Canon

monotone and shadow areas. The fast

processing speed of the DIGIC DV II chip
photos to be shot
simultaneously. Furthermore, the
processor's low power consumption
contributes to longer battery life.
The camcorders are designed to
handle a variety of different shooting
allows video and

situations.

Canon

Widescreen LCD

Level:

Motion Picture and

Beginner through
Professional

Video Camera

IIVA ATE

Filters and Lab

IIVI Avj l

Control

Techniques

MOTION PICTURE AND VIDEO CAMERA
FILTERS AND LAB TECHNIQUES
by

Gerald Hirschfeld, ASC

by Gerald Hirschfeld, ASC
Written

by a
professional
cinematographer

housed the 2.7"

securely beneath the

handle, which allows it to swing out

easily when needed. The handle
provides an additional record start/stop
and a zoom control, making it ideal for
low-angle shooting. The new models
include toggle switches, which are stan¬
dard on high-end video equipment for
gain, color bars, and white balance. To

ASC Press
172 pp.

ISBN:0-935578-293
20 pages

See

of color illustrations

J

special offers at:

■

www.theasc.com



American Cinematographer - October 2006

Table of Contents for the Digital Edition of American Cinematographer - October 2006

American Cinematographer - October 2006 - 1
American Cinematographer - October 2006 - 2
American Cinematographer - October 2006 - 3
American Cinematographer - October 2006 - 4
American Cinematographer - October 2006 - 5
American Cinematographer - October 2006 - 6
American Cinematographer - October 2006 - 7
American Cinematographer - October 2006 - 8
American Cinematographer - October 2006 - 9
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American Cinematographer - October 2006 - 14
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American Cinematographer - October 2006 - 18
American Cinematographer - October 2006 - 19
American Cinematographer - October 2006 - 20
American Cinematographer - October 2006 - 21
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American Cinematographer - October 2006 - 27
American Cinematographer - October 2006 - 28
American Cinematographer - October 2006 - 29
American Cinematographer - October 2006 - 30
American Cinematographer - October 2006 - 31
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American Cinematographer - October 2006 - 33
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American Cinematographer - October 2006 - 73
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American Cinematographer - October 2006 - 78
American Cinematographer - October 2006 - 79
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