American Cinematographer - December 2006 - 103

Wars Emotional Toll
straight contact print from the 5218
material, I thought film looked bet¬
ter. However, partly for budget rea¬
sons, and because production had
seen an

with,

HD

we

image they were pleased

decided to have

an

adven¬

ture.

As

a

result of the

test screen¬

we had
Morocco with

three Vipers for
recording decks for
each and an equipment package
capable of operating as three sepa¬
rate units. The logic was that if one
ing,

camera or

recorder broke,

we

could

cannibalize parts

from the others to
keep shooting. That's how we shot
in Morocco; every Viper was work¬
ing all the time, and the film camera
was reserved for
high-speed work
such as big explosions and a few key
Top: PierceRoberts frames
the action from
a

high perch.
Bottom: The

convoy
into an

rolls

that will

soon

was

given a basic grade to maximize
contrast range of each
camera. For
precise colorimetry on

of

the tonal and

tonal range. However, it's hard to
test like
to
like, HDCam vs.

both film and HD,

HDCamSR.

shot

a

shooting
gallery.

94 December 2006

as

with all

well

as a

cameras

resolution chart

and

lenses.] In

my

opinion, the Viper seemed slightly
Sony F900/3 in terms

better than the

had

to

Luther. There

looked great;

DSC

We

waveform. But when I looked

chart

a

moments.

ration the stock for the

she said all the detail in
was impressive. That
was a result of how
you and I set our

[Associate producer]
Julie Milstead thought the Viper

we

dramatic

important
Spokane, we carried only
two Vipers and used no film at all.
The whole shooting schedule
was 36 days, nine in Morocco and
the rest in Spokane. In Morocco,
dailies were the images from the

Labs Chroma Du Monde 24+4

area

become

sharpness, shadow detail and

the shadows

at

the

shots! In

was no

chance

to

have



American Cinematographer - December 2006

Table of Contents for the Digital Edition of American Cinematographer - December 2006

American Cinematographer - December 2006 - 1
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American Cinematographer - December 2006 - 159
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