American Cinematographer - December 2006 - 48

tal

process," he speculates. "I really

don't know. But I knew I wanted
Casino

Royale to be really punchy. I
deep blacks that still held
detail. I'm very comfortable

wanted
some

with 5279; I've shot

more

films on it

than any other."
The camerawork in Casino

Royale presents another departure,
in that it involves

lot of handheld

a

operating. "Camerawork in movies
is more fluid these days," notes Acamera operator
Roger Pearce. "I've
done

handheld work

more

picture than I've

on

this

done. I've
pictures with
Martin Campbell, starting with
Goldeneye, and even there we did a

worked

on

ever

four

lot less handheld work. With hand¬

Bond abandons
business to

indulge in a bit of
pleasure with
the beautiful

Solange
Dimitrios

(Caterina
Murino).

46 December 2006

to

use

a

confuses

lot of stocks because it
and everyone

else," he
declares. "I usually confine myself to
two

me

stocks,

one

for indoors and

one

for outdoors."

Kodak's

newer

500-speed

stock, Vision2 5218,

was

available,

but Meheux says he preferred 5279
because he had been somewhat

disappointed with the final colors
rendered by 5218 in The Legend of
Zorro. "It could have been the digi¬

held, the action is happening in
front of you. It's almost a newsreel
situation. Martin does a lot of takes
and there's

always something a little

different from take

to

take. That

keeps it very interesting."
Craig's Bond engages in more
hand-to-hand combat than the



American Cinematographer - December 2006

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