American Cinematographer - December 2006 - 53
Workflow Solutions
24F Workflow solutions for the XL H1,
XH G1 and XH A1
are
available from:
Apple, Avid*, Adobe and Canopus.
*
Avid Adrenaline and above.
Requires optional
equipment. Contact Avid for details.
XLH1
XHG1
XHA1
Image. Control. Integration.
Your Vision...in
The Canon XL HI
offers an unprecedented combination ofsuperb image quality, wide-ranging image control,
professional features and system interface options. It is an exceptional, affordable solution for a broad
spectrum of HD applications, including: broadcast, ENG, documentary and feature filmmaking, corporate,
and commercial video production.
Quality-conscious professional and advanced amatev
In addition to the XL H1's standard
have
Genuine Canon
Optics
(5.4-108mm, equivalent
to 38.9-778mm in 35mm
photography) features
Fluorite glass and SR
(component,
composite, S-Video, audio XLR,
iEEE 1394, stereo
Canon's world-renowned
HD Video Lens
multi-coating technologies. It delivers unsurpassed detail resolution,
contrast, and color. Two built-in Neutral Density filters reduce expo¬
sure
by two
or
five stops for added image control. Focus and
zoom
presets provide added flexibility at the touch of a button.
Super-Range Optical Image Stabilizer
Canon's
Optical Image Stabilizer (OIS)
Prism to
Vari-Angle
continuously compensate for shake and jitter.
The 20x HD Zoom XL lens
tates
OPTICAL
IMAGE
STABILIZER
incorporates Canon's Super-Range Optical IS
1080 HD Resolution
The XL H1
292M) and SD-SDI (SMPTE 259M) uncompressed 1.485 gigabit/second
3-CCD
system with separate native
16:9
x
sensors
for each
primary color. With 1.67 million pixels (1,440
1,080) per sensor, the system delivers outstanding picture quality.
ensure
virtually
no
highly accurate color with wide dynamic
range
and
color noise. Moreover, the frame rate is selectable:
Capture and output video in 60i, 30F
24F
or
as
needed to deliver
spectacular clarity or evoke the look and feel of film (optional
50i/25F upgrade available).
DiGIC DVII HD
Image Processor
The XL H1 system
with
some
electronic
latest-
use
of
as
HD Zoom XL 3.4-20.4mm L
to 24.5-147mm in 35mm
the
new
to
an
EF Lens
extensive range
of the finest optics. Canon also offers
Adapter that enables the
use
of Canon's world-renowned
lenses, opening entirely new possibilities such as: super¬
6x
(equivalent
photography).
Fully HD-compatible and delivering Canon optical excellence, this
lens is ideal for applications such as ENG and documentary shooting
that frequently require a wider field of view.
The XL H1
Manual Iris
smooth
adjustment in 1/8th-stop
the lens creates the
on
"feel"
shooting.
as
lenses-a feature
many
preferred by
professional
users.
Instant AF
independently adjustable, and settings
technology. An external
be stored in six custom
presets for instant recall. Additional custom presets (up to 20) can be
on an
SD memory
card for offline storage
or easy
next-generation autofocus
sensor
nation with Canon's proven
transfer
for example, in a multi-camera shoot.
same
manual broadcast
Instant AF is Canon's
recorded
a
ring that enables fine,
the focus, zoom and iris rings
and surveillance
gives professional videographers total control, enabling HD
to other XL H1 cameras,
is 4.5-90mm
Ring
capture with the perfect "look and feel." More than 23 variables are
can
Super-Range Optical Image
increments. The combination of
telephoto wildlife, astronomy
Comprehensive Creative Control
optional inter¬
changeable lenses, such
optimized for HD video and
interchangeable lens system is unique, providing videographers
digital still photography.
The camera's XL lens mount system
enables the
generation DIGIC DV II HD Image
Processor is
Optional 6x HD Wide Zoom XL Lens
highest image quality. The
design makes it highly adaptable-capable of a high
manual iris
EF SLR
occurs
Canon's
Stabilizer and two built-in ND filters. Zoom range
degree of customization to meet the needs of diverse professionals.
to deliver the
of the image degradation that
stunning HD performance. It features
The XH G1 and XH A1 lens features
an
stabilization systems.
the
(32.5-650mm in 35mm photography). An optional HD 0.8x wide
Powerful, Customizable System
proprietary algorithms and architecture
any
on
XH G1 and XH A1 camcorders delivers
industry-standard color bars
in professional broadcast and
Ultra-Low-Dispersion elements,
angle adapter is available.
A
access
long focal lengths, without
also generates
post-production environments.
Engineered and manufactured by Canon,
even at
camera
and audio reference tone for setup
the DIGIC DV II HD Image Processor uses
shake correction,
and
input and output terminals for post-production require¬
ments. The
optical
the 20x HD Video Zoom lens
synchronization in live-switched environments and dedicated SMPTE
by analyzing the image at the CCD
The result is extraordi¬
shooting situations. BNC connectors provide HD-SDI (SMPTE
time code
renowned for their
performance. Incorporating Fluorite
output with 4:2:2 color sampling, Genlock input for multi-camera
technology, which further improves low-frequency vibration control
nary camera
are
integration in location and
The XL
sensor.
Canon Professional L Series lenses
studio
They
SuperRange
uses a gyro sensor
to detect camera movement and activate a
Sensors
a
are ;
Genuine Canon 20x HD L Series Zoom Lens
a
versatile JackPack that facili¬
incorporates
clear choice. The Canon XH G1 andXHAl
performance and features unmatched by other earner
headphone
LANC), it also features
Three Native 16:9
Delivering
a
interface terminals
and
The 20x HD Zoom XL lens
High
The Professional JackPack
AF
Canon EF Lenses
works in combi¬
high-performance
system to dramatically reduce focusing time, even in low-light
situations.
American Cinematographer - December 2006
Table of Contents for the Digital Edition of American Cinematographer - December 2006
American Cinematographer - December 2006 - 1
American Cinematographer - December 2006 - 2
American Cinematographer - December 2006 - 3
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