American Cinematographer - December 2006 - 79

Humanity's Last Hope
Jacket and Black Hawk Down," adds
Lubezki. "I

was

work with him

very fortunate to
this project."

on

The search for naturalism
extended

composition as well as
lighting, and the filmmakers made a
to

conscious effort

avoid careful

to

framing. "We were trying not to do
perfect frame, so it doesn't look

a

framed. We tried
you

to

shoot it

so

that

feel the character more than the

filmmaker. It looks like you are

there; the image is very objective.
You don't

see our

tracks."

Much of Children
shot with
duction
the

ofMen was

Arri Lite,

and the pro¬
among the first to use

an

was

Arri/Zeiss Master Prime

new

lenses. "I think these lenses have
bit of

worlds

a

they're sharp,
crisp and clean, but they also have
flare," notes Lubezki. "They kept the
two

-

blacks black but also allowed hala¬
tion to

happen." His only criticism

is that the lenses

sometimes

were

heavy, and he confesses that he
always carried an "extra Zeiss Ultra
Prime" for occasions when weight
too

was an

issue.

The filmmakers tried

to cre¬

objective camera viewpoint
by shooting with a wide-angle lens
ate an

at some

distance from the

"We shot

most

18mm
we

lens;

we

watch the

and there

actors.

of the movie with

have

actors

no

POV shots;

from

almost

an

a

distance,

close-ups.
There are exceptions to everything I
say, but the main idea was to stay
objective, and not too close to the
are

actors. I see an

no

incredible abuse of

close-ups in many films these days.
Why is that? I don't know whether
it's due to directors being accus¬
tomed to watching things on TV, or
because they're watching the video
assist on a small monitor, but they
want to get closer and closer. Some
movies

are

all medium shots and

close-ups and what they call the
master shot. Maybe our ideas for
this movie
some

the
70 December 2006

came

as

a

reaction

of the stuff that bothers

current

cinema."

us

to

in



American Cinematographer - December 2006

Table of Contents for the Digital Edition of American Cinematographer - December 2006

American Cinematographer - December 2006 - 1
American Cinematographer - December 2006 - 2
American Cinematographer - December 2006 - 3
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American Cinematographer - December 2006 - 159
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