Contract - May 2016 - 103

The building's concrete
structure is revealed in
open office areas (above).
Venafi's brand colors appear
throughout, as in the
recording studio (above,
right) lined with bright
orange acoustical insulation.
The angles and facets of the
Cloud (opposite, top two) are
echoed in the maple-veneerclad reception desk (opposite,
bottom), which is flanked
by a 27-foot-long video wall
that animates the lobby
with brand-related imagery.

When cybersecurity firm Venafi wanted to relocate its headquarters
to downtown Salt Lake City from the suburbs, the company envisioned
a workspace that would embody a culture of transparency and
community. Working with Venafi on both site selection and interior
design, Los Angeles-based architect Steven Christensen created
an open, light-filled environment that reflects and promotes Venafi's
values, bolstering the company's collaborative nature and its ability
to recruit and retain the brightest talent.
Having physically and psychologically outgrown its previous
workspace, characterized by daylight-deprived cubicles and enclosed
offices, Venafi longed for an environment that would support its mission.
"We are fighting bad guys," says Venafi Vice President of Finance
Michelle Tanner, "and to do that we need a space that cultivates
collaboration and nurtures teamwork."
Fortunately, an informal meeting with Christensen, a Salt Lake
City native, segued into a close working relationship between the
architect and Venafi's leadership. "We worked with [Christensen]
to translate our cultural values-openness, teamwork, and wellness-
into our new space," Tanner says.
"Venafi wanted a headquarters that would reflect its vision
for a new company culture," Christensen says, "a built manifestation
of a desire for a more horizontal, flexible, and healthy office environment."
Surprisingly, Venafi found the framework for that environment in
a 30-year-old building, where the third floor had been an investmentbanking call center, complete with oppressive drop ceilings.
Yet for Christensen and Venafi, the virtues-floor-to-ceiling glazing,

a relatively shallow L-shaped floor plate that allows daylight
to penetrate, a prime central location adjacent to mass transit,
and expansive views of Salt Lake City and the mountains beyond-
overpowered its ordinariness.
Christensen's first move was to strip bare the 36,000-square-foot
interior, revealing the concrete structure and nearly 12-foot-high ceilings.
Entirely new lighting and mechanical systems were installed and
organized to ensure both energy efficiency and occupant comfort. These
environmental systems, which are left exposed where possible in a nod
toward transparency and cost-efficiency, absorbed the majority of the
project's budget. Thus the remaining design relied on creative solutions.
Branded on arrival
One arrives at the Venafi office in an elevator lobby lined with black
MDF panels that are inscribed with the company's core initialization
code. When light hits the textured panels at certain angles, the play
of light and shadow creates a dramatic tone for entry.
In keeping with Venafi's desire for a collaborative environment,
all 160 employees-including the CEO-work together in open
workstations. Christensen placed these along the south and west
perimeter, maximizing natural light and views. To avoid the appearance
of corporate modularity, hanging bar pendant light fixtures run
on a diagonal above these open areas, while gray carpet tiles trace
the opposite diagonal below moveable, reconfigurable sit-stand desks.
A polished concrete path separates these shared workspaces from
more private, polycarbonate-screened team and conference rooms.
contract



Contract - May 2016

Table of Contents for the Digital Edition of Contract - May 2016

Contract - May 2016
Contents
Editorial
Industry News
Columnist: Building Existing Client Relationships
Editors’ Picks from Salone Internazionale del Mobile
Product Focus: Disruptive Designs
Product Focus: Antidote to Sitting
The Washington Post
Sunset Magazine
Venafi
Symantec
Malwarebytes
JustFab at 800 Apollo
Designers Select: Workplace
Sources
Ad Index
Exhibition: OMA’s Shohei Shigematsu Crafts an Ethereal Set for the Met’s “Manus x Machina”
2016 Official NeoCon Product Preview
Contract - May 2016 - Intro
Contract - May 2016 - Contract - May 2016
Contract - May 2016 - Cover2
Contract - May 2016 - 1
Contract - May 2016 - 2
Contract - May 2016 - 3
Contract - May 2016 - 4
Contract - May 2016 - 5
Contract - May 2016 - 6
Contract - May 2016 - 7
Contract - May 2016 - Contents
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Contract - May 2016 - Editorial
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Contract - May 2016 - 26
Contract - May 2016 - 27
Contract - May 2016 - 28
Contract - May 2016 - 29
Contract - May 2016 - Industry News
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Contract - May 2016 - 40
Contract - May 2016 - 41
Contract - May 2016 - Columnist: Building Existing Client Relationships
Contract - May 2016 - 43
Contract - May 2016 - 44
Contract - May 2016 - 45
Contract - May 2016 - Editors’ Picks from Salone Internazionale del Mobile
Contract - May 2016 - 47
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Contract - May 2016 - 61
Contract - May 2016 - Product Focus: Disruptive Designs
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Contract - May 2016 - 65
Contract - May 2016 - 66
Contract - May 2016 - 67
Contract - May 2016 - Product Focus: Antidote to Sitting
Contract - May 2016 - 69
Contract - May 2016 - 70
Contract - May 2016 - 71
Contract - May 2016 - 72
Contract - May 2016 - 2016 Official NeoCon Product Preview
Contract - May 2016 - SCover2
Contract - May 2016 - S1
Contract - May 2016 - S2
Contract - May 2016 - S3
Contract - May 2016 - S4
Contract - May 2016 - S5
Contract - May 2016 - S6
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Contract - May 2016 - S38
Contract - May 2016 - S39
Contract - May 2016 - S40
Contract - May 2016 - SCover3
Contract - May 2016 - SCover4
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Contract - May 2016 - The Washington Post
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Contract - May 2016 - 93
Contract - May 2016 - Sunset Magazine
Contract - May 2016 - 95
Contract - May 2016 - 96
Contract - May 2016 - 97
Contract - May 2016 - 98
Contract - May 2016 - 99
Contract - May 2016 - Venafi
Contract - May 2016 - 101
Contract - May 2016 - 102
Contract - May 2016 - 103
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Contract - May 2016 - Symantec
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Contract - May 2016 - 108
Contract - May 2016 - 109
Contract - May 2016 - 110
Contract - May 2016 - 111
Contract - May 2016 - 112
Contract - May 2016 - 113
Contract - May 2016 - Malwarebytes
Contract - May 2016 - 115
Contract - May 2016 - 116
Contract - May 2016 - 117
Contract - May 2016 - 118
Contract - May 2016 - 119
Contract - May 2016 - JustFab at 800 Apollo
Contract - May 2016 - 121
Contract - May 2016 - 122
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Contract - May 2016 - 124
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Contract - May 2016 - 127
Contract - May 2016 - 128
Contract - May 2016 - 129
Contract - May 2016 - Designers Select: Workplace
Contract - May 2016 - 131
Contract - May 2016 - Sources
Contract - May 2016 - 133
Contract - May 2016 - Ad Index
Contract - May 2016 - 135
Contract - May 2016 - Exhibition: OMA’s Shohei Shigematsu Crafts an Ethereal Set for the Met’s “Manus x Machina”
Contract - May 2016 - Cover3
Contract - May 2016 - Cover4
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