Theatre Design & Technology - May 1965 - 5
competition design for a "theatre of free action"
in Stuttgart was developed by R. Dobloff in
1958-60. (Figure 3). Provi sion of a "floating"
platform for spectators not only sharply limits
the capacity of such a theatre, but requires as
well much unused space for maneuvering the seating blocks, which is economically unsound and
with the present technical facilities for transforming stage space and rapid change of setting,
unnece s sary.
FIGURE 4:
Opera Hause in Sidney, Australia (1960)
Architect, J. Utzan
1. Auditorium: 3.000 seats
2. Auditorium: 1.200 seals
3. Stages
4.
5.
6.
General Plan
Scenery elevators
Stage service space
Restaurants and Bars, with service spaces
Plan of the First Floor
Section
Model
MAY,
1965
A much larger group of designs and realized
bui Idings during recent years represents another
tendency. This is the theatre architecture which
may be associated with a purely formal attempt
at "novelty" without any basic departure from
the established pattern of arrangement of stage
and auditorium. However, it is this very preoccupation with volume-space composition and
the image of the modern theatre bu i Idi ng wh ich
becomes so egocentric that it leads to violation
of the basic principals of functional organization within a bui Iding, its economic expediency,
and its convenience in use.
As a typical example, we might cite the opera
house in Sydney, Australia designed by J,0'rn
Utzon, which is presently under construction. The
The immense theatre bui Iding, located on the
shore of a gulf, is more precisely a cultural
center consisting of two auditoriums with seating capacities of 3,500 and 1,200, a restaurant,
library, broadcasting station, and two assembly
halls (Figure 4). The complex assumes a picturesque profile of a ship under full sail. This
"descriptive" idea dictates a very complicated
plan realized structurally in terms of a system
of thin-walled, arched shells. Working towards a
profi Ie with gradually increasing volume from the
periphery towards the center dictates the placement of the stage house (as the highest clear
space) in the center of the bui Iding, and surrounded by lobbies. With such an arrangement,
the stages of the large and small auditoriums
are actually limited to the acting area alone,
being deprived of live storage backstage, and
the necessary service space at the level of the
stage floor. Dressing rooms are connected with
5
Table of Contents for the Digital Edition of Theatre Design & Technology - May 1965
Contents
Theatre Design & Technology - May 1965 - 1
Theatre Design & Technology - May 1965 - 2
Theatre Design & Technology - May 1965 - 3
Theatre Design & Technology - May 1965 - Contents
Theatre Design & Technology - May 1965 - 5
Theatre Design & Technology - May 1965 - 6
Theatre Design & Technology - May 1965 - 7
Theatre Design & Technology - May 1965 - 8
Theatre Design & Technology - May 1965 - 9
Theatre Design & Technology - May 1965 - 10
Theatre Design & Technology - May 1965 - 11
Theatre Design & Technology - May 1965 - 12
Theatre Design & Technology - May 1965 - 13
Theatre Design & Technology - May 1965 - 14
Theatre Design & Technology - May 1965 - 15
Theatre Design & Technology - May 1965 - 16
Theatre Design & Technology - May 1965 - 17
Theatre Design & Technology - May 1965 - 18
Theatre Design & Technology - May 1965 - 19
Theatre Design & Technology - May 1965 - 20
Theatre Design & Technology - May 1965 - 21
Theatre Design & Technology - May 1965 - 22
Theatre Design & Technology - May 1965 - 23
Theatre Design & Technology - May 1965 - 24
Theatre Design & Technology - May 1965 - 25
Theatre Design & Technology - May 1965 - 26
Theatre Design & Technology - May 1965 - 27
Theatre Design & Technology - May 1965 - 28
Theatre Design & Technology - May 1965 - 29
Theatre Design & Technology - May 1965 - 30
Theatre Design & Technology - May 1965 - 31
Theatre Design & Technology - May 1965 - 32
Theatre Design & Technology - May 1965 - 33
Theatre Design & Technology - May 1965 - 34
Theatre Design & Technology - May 1965 - 35
Theatre Design & Technology - May 1965 - 36
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