Theatre Design & Technology - Oct 1974 - 16
Costume Designs by Ga'bor Forray. Don Carlos, left and Samson, right. National Opera, Budapest
with all of its machinery. Germans, for instance, are
surprised, even shocked to see how we Hungarians work
backstage. The methods may seem primitive, but they
cannot hope to achieve our artistic effects." When the
opera tours, of course, Forray makes certain that key
stage hands will go along to see that all runs smoothly.
At the time of this writer's visit, Forray was concerned
about a production he had just done for Augsburg's City
Theatre. This German house does a mixture of lyric and
dramatic work, and has a high reputation for technical
excellence. Nonetheless, Forray was anxious because he
was not able to be on hand to supervise the several phases
of construction. He had made detailed sketches and
models. "And I sent a lot of documentation also! I gave
instructions on how to build some things. But it's not the
same as if I were there. That's why I love to work here in
the opera house. And that's why I say again I cannot
direct painting over the telephone either! I have to be here
for designing and the setup of the day's opera. I have no
capital of over two million inhabitants. Still, in a city that
size, it is odd that Forray cannot find someone who could
serve as a proper assistant and take some of the burdens
off his shoulders.
But it may have something to do with his preparations
for the job and the way that he won it. He may prefer to
run the whole show alone. Asked how he prepared for his
position at the National, he grinned and said, "I was a
pilot!" After his war time experience as a flier, there was a
design competition for the opera job. I t was secret; no one
knew who had designed the many entries. Forray, of
course, was the winner. But what still gives him great
pleasure today is the fact that he, u nl ike the other
compet.itors, was a drop-out from the School of Applied
Arts. "Hundreds of people graduated from the school, but
I won!" That was twenty-four years ago, and Gabor
Forray shows no sign of slackening his pace. And with his
novel techniques for devising designs, he doesn't seem
likely to run out of either energy or ideas.
*
time to run to the other end of Budapest."
Since Pest, where the National and the Erkel are
located, is a great sprawl of a city on the Danube plain,
just driving across it and back would use up half a day.
Pest and Buda, with a few suburbs, constitute a world
16
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Theatre Design and Technology
THEATRE DESIGN AND TECHNOLOGY
OCTOBER. 1974
Table of Contents for the Digital Edition of Theatre Design & Technology - Oct 1974
Contents
Theatre Design & Technology - Oct 1974 - 1
Theatre Design & Technology - Oct 1974 - 2
Theatre Design & Technology - Oct 1974 - 3
Theatre Design & Technology - Oct 1974 - Contents
Theatre Design & Technology - Oct 1974 - 5
Theatre Design & Technology - Oct 1974 - 6
Theatre Design & Technology - Oct 1974 - 7
Theatre Design & Technology - Oct 1974 - 8
Theatre Design & Technology - Oct 1974 - 9
Theatre Design & Technology - Oct 1974 - 10
Theatre Design & Technology - Oct 1974 - 11
Theatre Design & Technology - Oct 1974 - 12
Theatre Design & Technology - Oct 1974 - 13
Theatre Design & Technology - Oct 1974 - 14
Theatre Design & Technology - Oct 1974 - 15
Theatre Design & Technology - Oct 1974 - 16
Theatre Design & Technology - Oct 1974 - 17
Theatre Design & Technology - Oct 1974 - 18
Theatre Design & Technology - Oct 1974 - 19
Theatre Design & Technology - Oct 1974 - 20
Theatre Design & Technology - Oct 1974 - 21
Theatre Design & Technology - Oct 1974 - 22
Theatre Design & Technology - Oct 1974 - 23
Theatre Design & Technology - Oct 1974 - 24
Theatre Design & Technology - Oct 1974 - 25
Theatre Design & Technology - Oct 1974 - 26
Theatre Design & Technology - Oct 1974 - 27
Theatre Design & Technology - Oct 1974 - 28
Theatre Design & Technology - Oct 1974 - 29
Theatre Design & Technology - Oct 1974 - 30
Theatre Design & Technology - Oct 1974 - 31
Theatre Design & Technology - Oct 1974 - 32
Theatre Design & Technology - Oct 1974 - 33
Theatre Design & Technology - Oct 1974 - 34
Theatre Design & Technology - Oct 1974 - 35
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Theatre Design & Technology - Oct 1974 - 37
Theatre Design & Technology - Oct 1974 - 38
Theatre Design & Technology - Oct 1974 - 39
Theatre Design & Technology - Oct 1974 - 40
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