Theatre Design & Technology - Winter 1975 - 13
The working area of the stage occupied the full 76
foot width of the house with a depth of 55 feet from the
front of the apron to the back wall (exclud ing the space
taken up by the paint bridge and two spiral staircases).36
Although the off-stage space on either side of the proscenium line was limited to about 14 feet, it was equipped with five sets of short grooves per side, which were
probably used more for temporary storage than as part
of the shifting apparatus. 37 Spanning the width of the
center-stage area from just behind the curtain line were
four sinks about 39 feet long on about an eight-foot
spacing. Four 3 foot by 7 foot traps were located in a
diamond shaped pattern behind the second, third and
fourth sinks.
Although Booth's Theatre was not the first American
theatre to experiment with the box-set, it was one of the
first to carry the idea into common practice - utilizing it
in conjunction with a standard two dimensional, painted
background. 38 The main flats were run up from below
and, having no positive lateral support, were "held in
place by long braces."39 These stage braces were, in
turn, secured to the floor by stage screws, which is the
first known application of both of these devices (Figure
I
USITT
I
12). The side flats, like Serlian wings, were fixed in
position at oblique angles against the ends of the main
flats so that "his side scenes were solid walls of rooms,
or, in outdoor sets, oblique paintings through which
the eye could not penetrate to regions off stage."40
It has not been adequately determined whether the
stage floor at Booth's Theatre was flat or raked. No other
American theatre of the time is known to have had a
flat floor, ahd the fact that the slope of the floor (or
lack of it) is not mentioned by any contemporary commentator argues against such a novel innovation. Likewise,
Olive Logan, an accomplished nineteenth century actress
turned critic, in her descriptive article, "The Secret
Regions of the Stage" (1874),41 shows a composite
section drawing of "a theatre of the largest class - such as
Booth's, Niblo's (rebuilt in 1873), the Grand Opera House
(New York, built in 1868), and the Academy of Music
(New York, rebuilt in 1866)" in which the stage, similar
to Booth's in most other respects, is definitely raked
(Figure 13). Also, John Green, in his Ph.D. dissertation
on the "The Development of Stage Rigging in the United
Stages" maintains that the first use of the flat floor was
at Wallach's Theatre (built in 1882).42 On the other
THEATRE DESIGN AND TECHNOLOGY
WINTER,1975
13
Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 1975
Contents
Theatre Design & Technology - Winter 1975 - 1
Theatre Design & Technology - Winter 1975 - 2
Theatre Design & Technology - Winter 1975 - 3
Theatre Design & Technology - Winter 1975 - Contents
Theatre Design & Technology - Winter 1975 - 5
Theatre Design & Technology - Winter 1975 - 6
Theatre Design & Technology - Winter 1975 - 7
Theatre Design & Technology - Winter 1975 - 8
Theatre Design & Technology - Winter 1975 - 9
Theatre Design & Technology - Winter 1975 - 10
Theatre Design & Technology - Winter 1975 - 11
Theatre Design & Technology - Winter 1975 - 12
Theatre Design & Technology - Winter 1975 - 13
Theatre Design & Technology - Winter 1975 - 14
Theatre Design & Technology - Winter 1975 - 15
Theatre Design & Technology - Winter 1975 - 16
Theatre Design & Technology - Winter 1975 - 17
Theatre Design & Technology - Winter 1975 - 18
Theatre Design & Technology - Winter 1975 - 19
Theatre Design & Technology - Winter 1975 - 20
Theatre Design & Technology - Winter 1975 - 21
Theatre Design & Technology - Winter 1975 - 22
Theatre Design & Technology - Winter 1975 - 23
Theatre Design & Technology - Winter 1975 - 24
Theatre Design & Technology - Winter 1975 - 25
Theatre Design & Technology - Winter 1975 - 26
Theatre Design & Technology - Winter 1975 - 27
Theatre Design & Technology - Winter 1975 - 28
Theatre Design & Technology - Winter 1975 - 29
Theatre Design & Technology - Winter 1975 - 30
Theatre Design & Technology - Winter 1975 - 31
Theatre Design & Technology - Winter 1975 - 32
Theatre Design & Technology - Winter 1975 - 33
Theatre Design & Technology - Winter 1975 - 34
Theatre Design & Technology - Winter 1975 - 35
Theatre Design & Technology - Winter 1975 - 36
Theatre Design & Technology - Winter 1975 - 37
Theatre Design & Technology - Winter 1975 - 38
Theatre Design & Technology - Winter 1975 - 39
Theatre Design & Technology - Winter 1975 - 40
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