Theatre Design & Technology - Summer 1979 - 17
Figure 13
Figure 15
perspective. He introduced the heat and passions of the revolutionary mob into the world of the aristocrats by a new
setting in which the two worlds would be juxtaposed; an arena
that could read as a bullring or a bear-baiting pit. The aristocrats find themselves inadvertently "performing" for the mob
within the rough hewn boards of this arena with only a few
significant symbols of their social status in the form of elegant
costumes or isolated fragments of furniture and interior decor. The revolution is constantly present in the form of the
masses who peer down into the arena, responding harshly to
the plig ht of the aristocrats and occasionally reaching in to
make contact with them. Without altering the lines of the play,
the production added a whole range of new dimensions and
questions to its critique of revolutionary forces.
Vychodil contributed a detailed scenographic embodiment
of Radok's complex, highly theatrical vision. While the basic
decision for that arena setting was Radok's, the specific quality of the arena and the related elements were Vychodil's. One
of the most striking scenographic touches recalled the production of Optimistic Tragedy in the use of a huge tricolor flag
that on several occasions united the two worlds in the arena.
The collaboration of these two artists was a provocative
thing. On the one hand, it curtailed Vychodil's conventional
design activity, but it undoubtedly enriched his creative fantasy, providing a vision of new forms of scenic expression.
Vychodil's more recent work seems to consist, for the most
part, of interesting variations and refinements of the tendencies already noted. A production of Smetana's opera Libuse
(Fig. 16). Prague 1968, was marked by a purity and simplicity
of style in keeping with the emotional nationalism of the work.
(It is, as distinct from The Bartered Bride, the national serious
Figure 16
Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 1979
Contents
Theatre Design & Technology - Summer 1979 - 1
Theatre Design & Technology - Summer 1979 - 2
Theatre Design & Technology - Summer 1979 - 3
Theatre Design & Technology - Summer 1979 - Contents
Theatre Design & Technology - Summer 1979 - 5
Theatre Design & Technology - Summer 1979 - 6
Theatre Design & Technology - Summer 1979 - 7
Theatre Design & Technology - Summer 1979 - 8
Theatre Design & Technology - Summer 1979 - 9
Theatre Design & Technology - Summer 1979 - 10
Theatre Design & Technology - Summer 1979 - 11
Theatre Design & Technology - Summer 1979 - 12
Theatre Design & Technology - Summer 1979 - 13
Theatre Design & Technology - Summer 1979 - 14
Theatre Design & Technology - Summer 1979 - 15
Theatre Design & Technology - Summer 1979 - 16
Theatre Design & Technology - Summer 1979 - 17
Theatre Design & Technology - Summer 1979 - 18
Theatre Design & Technology - Summer 1979 - 19
Theatre Design & Technology - Summer 1979 - 20
Theatre Design & Technology - Summer 1979 - 21
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Theatre Design & Technology - Summer 1979 - 24
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Theatre Design & Technology - Summer 1979 - 52
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