Theatre Design & Technology - Winter 1979 - 34
of the tape is sufficient to activate the sensor, even at rewind speeds
of 300 ips. For machines with very fast stop rates, especially at the
slower tape speeds, a smaller activator dot may be necessary to insure that it clears the sensor as the tape comes to a stop. When the
dot is peeled off and the residue adhesive removed with head cleaning fluid (isopropyl alcohol), the tape can be erased and reused.
Too many lights
and not enough dimmers?
Emitter/Sensor Array mounted on a Braun 1000/4 tape
transport (a relay/solenoid machine).
SwitchPak is your an,wer to repatching hassles.
It offers the fle"ibility of greater lighting control Without
tile expense 01 additional dimmers.
SwitchPak's remote operation lets you switCh
dimmer outputS from your lighting console - Instantly and
accurately. Each of its si" channels can select either of
twO loads; you can run two different In rumen Sor specials off
of the same dimmer. The SwitchPak can also be used to
remotely control special efiects eqUipment, practical
fixtures. and cue lights.
Emitter/Sensor Array mounted on a Technics RS-1500US
Transport (an I.e. logic machine).
SwitchPak's design has been proven III over four years of
professional tounnq. SwitchPak IS available With stage pin or household
connectors for S479 and twist·lock or Harj lock for $499.
VIRGOLIGHT
Inc.
Seventy·Two K Street
Boston, Massachusells 02127
617·269·1445
Dealer ,n'WIf'es Invited.
The tape machine's technical or "shop" manual should be examined to determine the type of control circuitry. the control circuit supply voltage (V 2 ), the stop-control load current (ll), and the location of
the remote control socket's stop pin or other appropriate connecting
point.
This design and its power supply are easy to construct from readily
available components. It does not interfere with the normal operating
modes of the tape machine, and activates the "stop" function in any
of the machine's operating modes. The activating white dot is visible
to the tape deck operator, is removable, does not damage the tape or
tape heads and does not interrupt or influence pre-recorded material.
This device makes the commercial tape transport into a machine custom designed for the theatrical performance.D
Daniel H. Proctor earned his MFA from Yale University and is
currenlly an Assistant Professor of Drama at Tufls University.
32
Theatre Design & Technology
USITT /Winter, 1979
Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 1979
Contents
Theatre Design & Technology - Winter 1979 - 1
Theatre Design & Technology - Winter 1979 - 2
Theatre Design & Technology - Winter 1979 - 3
Theatre Design & Technology - Winter 1979 - Contents
Theatre Design & Technology - Winter 1979 - 5
Theatre Design & Technology - Winter 1979 - 6
Theatre Design & Technology - Winter 1979 - 7
Theatre Design & Technology - Winter 1979 - 8
Theatre Design & Technology - Winter 1979 - 9
Theatre Design & Technology - Winter 1979 - 10
Theatre Design & Technology - Winter 1979 - 11
Theatre Design & Technology - Winter 1979 - 12
Theatre Design & Technology - Winter 1979 - 13
Theatre Design & Technology - Winter 1979 - 14
Theatre Design & Technology - Winter 1979 - 15
Theatre Design & Technology - Winter 1979 - 16
Theatre Design & Technology - Winter 1979 - 17
Theatre Design & Technology - Winter 1979 - 18
Theatre Design & Technology - Winter 1979 - 19
Theatre Design & Technology - Winter 1979 - 20
Theatre Design & Technology - Winter 1979 - 21
Theatre Design & Technology - Winter 1979 - 22
Theatre Design & Technology - Winter 1979 - 23
Theatre Design & Technology - Winter 1979 - 24
Theatre Design & Technology - Winter 1979 - 25
Theatre Design & Technology - Winter 1979 - 26
Theatre Design & Technology - Winter 1979 - 27
Theatre Design & Technology - Winter 1979 - 28
Theatre Design & Technology - Winter 1979 - 29
Theatre Design & Technology - Winter 1979 - 30
Theatre Design & Technology - Winter 1979 - 31
Theatre Design & Technology - Winter 1979 - 32
Theatre Design & Technology - Winter 1979 - 33
Theatre Design & Technology - Winter 1979 - 34
Theatre Design & Technology - Winter 1979 - 35
Theatre Design & Technology - Winter 1979 - 36
Theatre Design & Technology - Winter 1979 - 37
Theatre Design & Technology - Winter 1979 - 38
Theatre Design & Technology - Winter 1979 - 39
Theatre Design & Technology - Winter 1979 - 40
Theatre Design & Technology - Winter 1979 - 41
Theatre Design & Technology - Winter 1979 - 42
Theatre Design & Technology - Winter 1979 - 43
Theatre Design & Technology - Winter 1979 - 44
Theatre Design & Technology - Winter 1979 - 45
Theatre Design & Technology - Winter 1979 - 46
Theatre Design & Technology - Winter 1979 - 47
Theatre Design & Technology - Winter 1979 - 48
Theatre Design & Technology - Winter 1979 - 49
Theatre Design & Technology - Winter 1979 - 50
Theatre Design & Technology - Winter 1979 - 51
Theatre Design & Technology - Winter 1979 - 52
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