Theatre Design & Technology - Fall 1983 - 34

OISTT
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Foreign Journals
Bauten der Kultur (East Germany) 4,

1982: "The Reconstruction of the Karl
Marx Stadt Schlof3museum" by W.
Kbckeritz; "The Guardian's House in
Greifswald" by U. Taube; "The Baumbach House in Meiningen-More than
a memorial" by W. Theilmann; "Refurbishing and Reorganizing the Goethe
Museum in Weimar" by J. Beyer and J.
Seifert; "The Castle of Keszthely, Hungary" by Z. Vajda.
- - I , 1983: " otes on the Theatre and
Auditorium" by A. Lang (using the actor as focus for designing theatre space);
"On the Dialectical Relationship Between Playhouses and Staging" by G.
Troike; "Auditoriums" by J. Vancura;
"Stage Laser" by K.-P. Anders; "Holography and Decor" by W. Ahnert.
Biihnentechnische Rundschau (West
Germany) February 1983: "First season
of the Schaubi.ihne am Lehniner Platz"
by V. Butzmann and M. Seeger; "Theatre at the Palast der Republik" by O.
Kahler; "Structure of the arional Standards Organization (01 )" by W.
Grau; "Progress Report by the Society
for Future-Oriented Stage Design" (a
holographic research project) by G.
Schneider-Siemssen;" ew Equipment
for Lighting Control at the State Theatre, Wi.irttemberg" by H.-J. Haas.
--April 1983: "Historic Theatres and
Modern Technology" by K. Kronberg;
"Theatre in Industrial Works- Hamburg's German Theatre in the Kampnagelfabrik" by M. Tscherman; "Structure of the International Standards Organization" by W. Grau; "Electronic
Installation for Sound and Acoustics in
Munich's ational Theatre" by D.
Behne, A. Dawidowicz, R. Delion;
"Reserve or Havarie-Component for
Computer-Controlled Lighting Systems" by O. Miltmann.
Cue (Great Britain) Marchi April 1983:

"British Theatre Design 1979-1983" by
C. Spencer; "13 Years up a School Hall
Ladder' by G. Donald (School theatre
lighting at Cranleigh); "Could Your
Spotlights Be Brighter?" by A.P. Heathcote; "Simplicity Is Compatible with
Quality in Small Theatres" by Tim
Foster.
32

Thealre Design & Technology

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--May/June 1983: "Music and the
Puppet Theatre" by J.M. Blundall;
"The Curtains!!! Conference" by J.
Hutchinson; "Restoration of the Wooden Substage Machinery at the Tyne Theatre and Opera House" by D. Wilmore;
"Stage Design" by D. Fingleton (a commentaryon ome recent British productions); "A Theatric Tourist in Belgium"
by F. Reid; "Heading Towards ew Horizons" by A. McCall (Peter Brook's
production of The Tragedy oj Carmen).
Medlemsblad (Sweden) December 1982:

"Renovering av Norrkbpings Teater"
by T. Jangvik; "Attributmakare Staller
ut pa orrkbpings Stadsbibliotek" by
U.M. Pettersson; "Reykjaviks
ya
Stadsteater" by T. Gunnarsson.
--March 1983: "Intervju med Sbdra
Teatern"; "Stockholms Stadsteater";
"Ljussattning som en del i det dramatiska berattandet"; "Stockholms 1800Talsteatrar"; "Rapport fran den Teatertekniske Konsulten" by E. Westerlund;
"Gamla Teatrar, Modern Teknik."
--May 1983: "Folkteaterns Produktionslokaler i Gavle"; "OISTT Warsaw"; "Teaterljus av Francis Reid";
"Olyckor med Snickerimaskiner" by L.
Persson; NoTT 83-a 48 page program
insert for the meeting of the Nordisk
TeaterTeknik.
Profile ( ew Zealand) March 1983: "A
Girdle for a Lady" by P. Shields (rescue
of the Wellington Grand Opera House);
"Designing Full Marx!" by R. Boyce
and S. Blackburn; "On Tour with the
Limbs Dance Company" by J. Pullar.
Sightline (Great Britain) Spring 1983:

"Great Expectations" by R. York; "Recent Control in Worklight Systems" by
B. Anderson; "Lighting Rigole{{o at the
Coliseum": interview with Robert Bryan; "Plymouth Theatre Royal and the
Dartford Orchard" by F. Bentham;
"Plymouth Theatre Royal: A Technical
CommeIllary" by 1\1. Carr; "The T
Don Quixore at the Plymouth Theatre
Royal" by i\1.c. Jones; "Why Datec?"
by D. Cornelis en; "Organization of
Dimmers" by F. Bentham (history);
"Cause Celebre": Discussion about the
move of Terrence Rattigan's play from
one theatre to another with Joe Da\'is,
lighting designer, Gregg Hamlin, and
Fred Bentham.

.
Szenicheskaya Tekhnika i Tekhnilogya

(USSR) 4, 1982: "Some Aspects of Designing and Building Cultural Centers";
"The Friendship of at ions Palace in
Tashkent" by V. . Shestopalov; "Scenographer's Laboratory" by A.G. Lupandina (survey of work by Soviet scenographers 1960-80); "Studio Theatre;
Performance Data" (three productions
at the MAT); "A Stage 1achinery Control System in the Multi-Purpose Hall
(Tashkent)" by l.M. Rosenberg and
A.A. Dudevich; "Digital Technology of
Tape Recording" by Yl. Kozurenko;
"The Use of Foil" by l.A. Abramov
and E.Y. Schwartz; "Designing Environments for Puppet Shows" by V. P.
Kutukov; "Designing Theatre Drapes";
"Light Effects for Battle Scenes";" ew
Curriculum for Theatre Design Departments" by V.V. Bazanov; "Uniforms of
the Red Army 1918-1940" by P.S.
Zhalin.
----6, 1982: Stage Design at the Vainemuine Theatre" by A.G. Lupandina;
Light in Stage Design" by V. D. Gozhenko and O.S. Izrailev; "The Use of
Special Effect in Several Kazakh State
Theatre Productions" by A.M. Akbarov; "Problems of Joint Training of
Directors, Scenographers and Theatre
Technicians"; "International Cooperation in the Area of Developing Standards for Theatre Buildings" by V.V.
Lazarev; "Determining the umber of
Production Team Members" by S.S.
Kovalevskaya; "The Brigade Form of
Organization of Labor and Benefits at
the Ru sia Drama Theatre in Riga" by
G.A. Speransky; "Evacuation from
Theatres" by V.V. Kholschemiko\';
"Stage i\lachinery at the Palace of
Friendship of at ions in Ta hkent" by
l.i\l. Rosenberg; "Innm'ations in Theatre Tool (patent review)" by
.P.
Sadkovich.
Szinhaztechnikai Forum (Hungary) De-

cember 1982: "The Quality of Safety:
The Safet)' of Quality" by l\'an SzaboJilek; "The Reconstruction of the l\ladach Intimate Theatre"; "The Reno\'ation of the PetMi Theatre Veszprem";
"The Recon truction of the ational
Theatre in Pecs"; "The e\\' Face of the
Theatre of Eger"; "Open-Air Performances in Szeged"; "The Reconstruction
of the Hungarian State Opera House";
"The e\\' Gewundhaus of Leipzig."
Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 1983
