HE Twelfth Night OPE ED AT THE Goodman Theatre in Chicago last January, American audiences had their second look in less than ar year at the work of Richard Hudson, the Brirish designer whose sets and costumes for La Bete last season earned him a Tony nomination for his first Broadway showing. ~. Am'acted to directors whose quirky takes on a text match his own, Richard Hudson gave British director eil Barden's Twelfth Night one of his signature off-kilter sets that delighted the Chicago critics even as they panned the production. In many respects, Hudson's second foray into the American theatre was a repeat of his experience with La Bhe: more plaudits for the production design than for TD&T 1992 SPRING 19