WINTER 1998 * VOL ME 34 * N MBER 1 .$ ;:.... :~,~ :. ~t -, ~ SOUTHERN CALIFORNIA THEATRE: A QUICK TOUR _ 8 an amazing variety oftbeatres-commercial, bistoric and not-for-profit BY DONNA RUZIKA ACHORUS LINE REVISITED: LEGACIES OF COMPUfERIZED IJGHI1NG CONIROL 12 Broadway tbeatres lept into digitalligbting control tbanks to a popular sbow about "g/'/Jsies" BY LINDA ESSIG DISNEY'S LIGHT MAGIC: HIGH-TECH PIXIES 18 it takes more tban Tinkerbell's dust to pull offtbis one BY ROBERT C. MUMM DIPPING ATOE IN THE OCEAN OF CREATIVITY 27 no easy answers bere, but lots ofgood tbings to ponder BY BEEB SALZER THE INFLUENCES OF ISADORA DUNCAN ON THE DESIG S OF EDWARD GORDON CRAIG _ 37 a revealing study ofCraig's sketcbbooks BY DR. RENEE VINCENT LEONE BAITISTA ALBERTI ON THEATRE ARCHITECTURE 50 a new translation ofa key fifteentb centIll)1 treatise BY C. THOMAS AUlT PORTFOLIO GUIDELINES FOR DESIGNERS _ 59 wbat goes into a good ligbting design portfolio? BY USITI LIGHTING DESIGN COMMSSION Oil til ยท r::::==== Resources Cover Edulard Gordon Craig, best known for 67 EW PRODUCT REVIEWS BOOK REVIEWS _ INTERNATIONAL JOURNALS 68 71 bis mOllumental, nonillusionistic tbeatre settings, is surprisingo' tbe artist of tbis issue's cover illustration. His sketcbbooks from 1904 and 1905 are filled witb intimate and sensuous INSIDE USIIT ADVERTISER INDEX _ 72 drawings ofdancers, especially 1sadora 76 DIII/ca!/., bere seen standing in afield. TD&T WIN T E R I 9 9 8 3