Theatre Design & Technology - Spring 2005 - 15
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PHOTOS BY T. THATCHER
The actor must also take into account the audience, which is seeing the play for the first time. Will the audience
laugh? Is the tension right? The actor is not alone. He or she is supported by all the other artists who are, for the most
part, all interpreters of play, just like the actors. These other artists work with words, or cloth, or light, or paint, or
sound, or movement of pieces of scenery.
A theatre must have a reason for being. The original idea for many theatres, all of them started by well-intentioned
people, was that the theatre should be like a library. Pieces of theatrical literature would be brought to life and thereby
made more accessible. Recently, many of us have come to believe that theatres should be more active.
The job of the artist is to interpret and reflect the life around the artist. Often, but not always, this is easier to do in
a large city like Toronto where the air is full of ideas. You
can feel it on the streets. These ideas help to stimulate
the artist. Sometimes it's not so easy when the air is thin;
when the most powerful ideas are all about making
money, not about how to live, not about what life is for.
These are the ideas that concern all artists.
Now I come to your responsibility. Theatre companies, in large part, are simply shells. Actors, directors,
designers, the frontline soldiers, if you like, are not
members of the company, they are simply visitors who
show up from Toronto or New York. The shell consists of
the back-up artists, the soldiers-to continue the meta-
...you must let other people know. If you don't know, then your job is not done.
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Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 2005
Contents
Theatre Design & Technology - Spring 2005 - 1
Theatre Design & Technology - Spring 2005 - 2
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Theatre Design & Technology - Spring 2005 - Contents
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