Theatre Design & Technology - Summer 2006 - 17
to develop the new process or product, to brainstorm with others, and to come up with the next innovation. It is the opportunity to
participate in the future of your profession. This opportunity exists nowhere else. It has always, and will always, exist only within a
collective of those who are concerned and committed enough to develop and implement change. It is the innovators, the entrepreneurs, the article and textbook authors, and inventors who we see when we look around these rooms. The Institute brings us together; that is its heritage; that is its purpose.
Also if you look around the room, all of us older types in our ribbons and medals may seem a little intimidating, but the truth
is that we would all love to meet and get to know you. There is hardly a person in this room who doesn't understand that they have
stood on the shoulders of the giants who came before. All of us were helped in various ways during our journeys, and we are anxious to pay that debt forward. Likewise, we understand that you are the future, and what an exciting future it is. You are the first
generation to always have had personal computers in your schools and homes. You have always had remote controls, digital readout, cell phones, and 100 channels on cable television. Yes, we are the generation that took us from canvas and glue into the digital
age. But your generation will take us forward toward innovations we can hardly dream about. I can't wait to see what you will come
up with!
Personally, as I contemplate retirement in the near future, my goal is to keep defying the actuarial tables for as long as possible so I can keep coming back year after year to enjoy watching your journeys. I hope to be in the back of the room when you
first raise your hand to comment or question in a program session. I will make it a point to attend the first time you chair a panel.
I will eagerly read your first article or project report in the journal. And one day, maybe twenty years from now if I can last that
long, I will be there to cheer for you at a ceremony like the one we will all witness here in a moment, when some of you are inducted as Fellows of this Institute. That will be a great day. I hope I make it! ❖
Richard Stephens is a production coordinator for scenery at the Performing Arts Center of the University of Texas at
Austin. Prior to joining the U.T. staff in 1981, he worked in both theme parks and regional theatre. Among the many
USITT offices and activities that he has been involved with over the years he is proudest of his role as one of the cofounders of the theatre technology exhibition, Tech Expo. He is currently researching the history of the Institute with
the hope that a book can be prepared in time for the Institute's 50th anniversary in 2010.
16
THEATRE
DESIGN
&
TECHNOLOGY
SUMMER
2006
Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 2006
Contents
Theatre Design & Technology - Summer 2006 - 1
Theatre Design & Technology - Summer 2006 - 2
Theatre Design & Technology - Summer 2006 - 3
Theatre Design & Technology - Summer 2006 - Contents
Theatre Design & Technology - Summer 2006 - 5
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