Theatre Design & Technology - Fall 2011 - 77

allowing me to present a multimedia answer
that will resonate more strongly with students
and stay with them longer.
I began this process with very little video
editing experience. I knew what I wanted as
an end result and experimented until I found
a way to make it work. As I continue to refine
my filming and editing skills, I am researching
options to go a step further and create a more
interactive virtual environment, one in which
learner control is not relegated to the pause
and rewind buttons but instead mirrors the
interplay present in today's computer games.
Students could control the content of the digital world, prompting the next action as a show
progresses and experiencing a range of outcomes based on their accuracy and choices.
Nothing will ever replace learning on your
feet in the moment. But the growth of my program has not been paralleled by an increase in
the number of productions in our season. This
means that not everyone will get the amount
of practical experience I might wish, or at the
time they might want it. By developing a way to
make the classroom time more useful, I can
bridge the gap between participants and opportunities. v

Sources
Hede, Andy. 2002. "An Integrated Model of
Multimedia Effects on Learning." Journal of
Educational Multimedia and Hypermedia 11
(4): 177.
Lemke, C., E. Coughlin, and D. Reifsneider.
2009. Technology in schools: What the
research says: An update. Culver City, CA:
Commissioned by Cisco.
Mayer, Richard E. 2004. "Should There Be a
Three-Strikes Rule Against Pure Discovery
Learning?" American Psychologist 59: 14-19.
Mayer, R E., A. Mathias, and K. Wetzell. 2002.
"Fostering Understanding in Multimedia
Messages through Pre-training: Evidence
for a Two-stage Theory of Mental Model
Construction." Journal of Experimental
Psychology: Applied 8 (3): 147-154.

Explore, Innovate,

and Create the Future
of American Theatre

Hedda Gabler, 2011

Laurie Kincman is an AEA stage manager
and an assistant professor at the University
of Wisconsin, La Crosse, heading the Stage
Management and Arts Administration
emphases in the Department of Theatre
Arts. She is a member of USITT and the
Midwest Regional Section.

Boston University College of Fine Arts
School of Theatre

BFA and MFA Programs

Artisan Certificates

* Design
* Management
* Production

* Scene Painting
* Stage Management

Collaborate with our renowned faculty design team, headed by:
James Noone, Scene Design
Diane Fargo, Scene Painting
Mariann Verheyen, Costume Design
Mark Stanley, Lighting Design
Ben Emerson, Sound Design

www.bu.edu/cfa

f

a

l

An equal opportunity, affirmative action institution.

l

2011

theatre design

& technology

75



http://www.bu.edu/cfa

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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
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