Theatre Design & Technology - Spring 2011 - 11
and becomes a kind of determinism. If, on the other hand, God
actually decides what will happen, that is predestination. Some
religions stress that we have free will. That puts the burden
of our actions on us. There are superstitions that, in various
societies, attempt to control fate or chance. Theatre people
have many superstitions about umbrellas, ladders, and even
saying the name of poor Macbeth. Astrology claims that the stars
determine our fate at our time of birth. Think of the expression
"Thank your lucky stars" or those poor "star-crossed lovers."
But the astronomer Carl Sagan said that the gravitational pull
of the obstetrician, small as it may be, is more powerful than
far away stars.
As designers, we think we have free will (depending on
how much a director interferes). Everything we do attempts to
anticipate problems so that there are no surprises. We don't
consider our work controlled by fate, and we try to eliminate
chance. And yet, many are the times both on the drawing board
and in the theatre when the unexpected happens. A color, a
form, a material, a light appears out of nowhere creating a
eureka moment. How many times have we witnessed the same
process at work in rehearsals when a director sees an actor do
something unexpected and says, "Keep it in."
A few contemporary artists reject control and have
embraced chance. Yves Klein used his invented color,
International Klein Blue, to produce canvases produced by
chance. One technique was to slather nude models with his blue
and have them roll around on a canvas. He had little control, in
fact he didn't want to touch his work-the canvas that is. Then
there was John Cage who, inspired by the I Ching, composed
some of his music using chance. With an aleatory technique,
the order of playing is determined by rolling dice. I have heard
of computer programs that run by themselves producing new
art work every day.
Even if we reject the kind of fate represented by oracles
or fortune tellers, we are programmed to some degree by
biology-our inherited size, intelligence, coloring. Also,
where we grew up or live often dictates a color sense. Maybe
the most important influence on artists is the aesthetic of the
period-artists seeing, hearing, or reading the works of their
contemporaries. Of course, some artists strike out into new
territory, but they build on what went before. If Picasso had
painted his work in the age of Rembrandt, he would have been
locked in an attic.
When I look back, and I can look back fairly far, the theatre
design of today compared to when I started is more varied. This
may be because designers live all around the country rather
than just in New York, they can more easily travel the world,
or, as in the other arts, there is no dominant aesthetic. Has this
happened because of fate, chance, luck, or predestination? I
ponder this as I nurse my broken bones. v
s p r i n g 2011
theatre design
& technology
9
Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 2011
Contents
Theatre Design & Technology - Spring 2011 - 1
Theatre Design & Technology - Spring 2011 - 2
Theatre Design & Technology - Spring 2011 - 3
Theatre Design & Technology - Spring 2011 - Contents
Theatre Design & Technology - Spring 2011 - 5
Theatre Design & Technology - Spring 2011 - 6
Theatre Design & Technology - Spring 2011 - 7
Theatre Design & Technology - Spring 2011 - 8
Theatre Design & Technology - Spring 2011 - 9
Theatre Design & Technology - Spring 2011 - 10
Theatre Design & Technology - Spring 2011 - 11
Theatre Design & Technology - Spring 2011 - 12
Theatre Design & Technology - Spring 2011 - 13
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Theatre Design & Technology - Spring 2011 - 15
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Theatre Design & Technology - Spring 2011 - 17
Theatre Design & Technology - Spring 2011 - 18
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
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