Theatre Design & Technology - Winter 2012 - 49
depth of experience as a national practice leader in performing and cultural arts. The firm's integrated practice model,
encompassing all the disciplines necessary to do the work,
was an asset to the project. It also helped that the firm is
headquartered in Cleveland a few blocks from the museum.
The team, led by managing principal Paul Westlake, Jr., FAIA,
and project director Josh Haney, AIA, got to work by looking
at the museum's mission statement, which says it "exists to
educate visitors, music fans, and scholars from around the
world about the history and continuing significance of rock
and roll music. It carries out this mission through its operation of a world-class museum that collects, preserves, exhibits, and interprets this art form and through its library and
archive as well as educational programs." We worked to keep
this in mind as we met and evaluated the challenges and how
best to accomplish the museum's laundry list of goals within
their $5.5 million dollar budget.
One of the biggest concerns when working in an existing
structure, especially one designed by an iconic architect, is
how the architecture relates to the storytelling. Paul Westlake
describes it as "architecture needing to provide the backup
and pathways that lead the patron directly where you want
them to go and hide where they should not." Stewart adds
that "what we have been able to do with Westlake is tell [the
story] chronologically and logistically and linearly layout the
museum in a fashion so that the experience will be somewhat more intuitive and therefore not only be a better experience that is entertaining, but a better experience that is
educational." To Josh Haney one of the major challenges was
"walking the line as to what we as designers contribute and
what the museum as a museum was contributing in terms
of content-the level and type of information they wanted to
convey to their visitors and capturing that as a baseline of the
means as to how we display that information, whether it was
graphics in terms of text panels and wayfinding, architectural
flow, and casework, or in terms of the technology. Having
your technology designers onboard early is critical."
Technology, such as digital signage, video displays, audio,
and lighting, needs to work in concert with the architecture
to do that direction and help tell that story. "Technology- rich
environments are one of the most important parts to execution
in these environments," Westlake adds. Terry Stewart feels that
...it's very hard to tell the entire story, and it is certainly hard to exhibit the art form which
is music itself, not the relics, without the creative and ever-evolving technology of the day.
48
theatre design
& technology
winter
2012
Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 2012
Contents
Theatre Design & Technology - Winter 2012 - 1
Theatre Design & Technology - Winter 2012 - 2
Theatre Design & Technology - Winter 2012 - 3
Theatre Design & Technology - Winter 2012 - Contents
Theatre Design & Technology - Winter 2012 - 5
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
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