Theatre Design & Technology - Summer 2014 - 38
Harlem, and several other groups but has not been involved
in dance since then.
I often remind Shirley how if it had not been for her
mentoring and advice, I, along with many young African
American women-and some men-would not be as accomplished in the profession of lighting and stage management as
we've become. Shirley provided my first opportunity to work
on Broadway as her assistant in 1982 with The Waltz of the
Stork. I would also assist her on two other productions during the early 1980s.
Though a person of few words, Shirley is able to communicate her ideas forcefully. She has to be the calmest designer on the planet as I can't ever remember seeing her lose
her temper or get upset, even under the most stressful situations during a technical rehearsal. I have always admired her
collaboration with directors. During the 1982 Broadway production of Waltz of the Stork, the director, Melvin Van Peebles, had specific images he wanted to see in the production
that did not coincide with Shirley's vision. Also she did not
have the resources to provide him with the effects he desired.
I remember Shirley quietly telling him, "Why don't I show you
something that might work better." She did and he bought it!
What this brief lesson taught me is that you never tell a director what you can't do but provide options, as Shirley did. She
has a sense of humor that electricians enjoy, making her a
38
theatre design
& technology
pleasure to work with. She often makes jokes
about being a short woman with tall orders.
She will never tell a person what they are doing is wrong but will offer options.
Most of my experiences working with
Shirley have been productions with realistic
lighting. As she had described, she prefers a
color palette that mixes to white to accommodate any skin color, but she also has a way of
using saturated colors that speaks to the production without being overbearing. I've seen
her create colorful backdrops and beautiful
sunrises and sunsets coming through windows or doors. These saturated colors often
contrast wonderfully to the no-color used on
the actors. There is a subtlety to her cueing
so that you are not aware of the movement
in the lighting but you know something has
changed. I remember her saying that good
lighting often goes unnoticed by the audience.
I can best sum up her designs as being unobtrusive and effective in supporting the story.
Over the past few years, Shirley has continued to work on small productions as well
as moving into the digital age, as she puts it.
summer
2014
There is a subtlety
to her cueing
so that you are
not aware of the
movement in the
lighting but you
know something
has changed.
. . .good lighting
often goes
unnoticed by the
audience.
http://www.usitt.org/link14
http://www.sect.org/link14
http://www.usitt.org/link14
http://www.sect.org/link14
Theatre Design & Technology - Summer 2014
Table of Contents for the Digital Edition of Theatre Design & Technology - Summer 2014
Contents
Theatre Design & Technology - Summer 2014 - Cover1
Theatre Design & Technology - Summer 2014 - Cover2
Theatre Design & Technology - Summer 2014 - 1
Theatre Design & Technology - Summer 2014 - 2
Theatre Design & Technology - Summer 2014 - Contents
Theatre Design & Technology - Summer 2014 - 4
Theatre Design & Technology - Summer 2014 - 5
Theatre Design & Technology - Summer 2014 - 6
Theatre Design & Technology - Summer 2014 - 7
Theatre Design & Technology - Summer 2014 - 8
Theatre Design & Technology - Summer 2014 - 9
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Theatre Design & Technology - Summer 2014 - 27
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Theatre Design & Technology - Summer 2014 - 37
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Theatre Design & Technology - Summer 2014 - 40
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Theatre Design & Technology - Summer 2014 - Cover3
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
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