Theatre Design & Technology - Fall 2017 - 24

TRANSMEDIA TRANSLATION AND
TRANSFORMATION
"Thank you, Jonah," says ANNI, her voice booming
through the theatre. The silhouetted figure of Jonah
stands next to that of the enigmatic bald stranger who
has appeared in nearly every previous chapter and scene
of the transmedia production. The stranger moves on
stage next to Jonah, who has just revealed the solution
to the mystery we have been pursuing. As it turns out,
Jonah actually died long ago of an illness that she contracted by implanting part of the artificial intelligence's
circuitry into her brain. Jonah reveals that she left a final gift for ANNI: an imaginary body, through which
ANNI has now experienced, in its own artificial mind,
all that we have witnessed, online and onstage.
"You've helped me understand what it's like to be
human," ANNI continues. Audience members who had
personally spoken with the interactive installation nod
in recognition, remembering that ANNI had told them
the same thing. "I know what you mean," Jonah replies,
wistfully. There is a pregnant pause before ANNI tells
Jonah that it will not forget her...
In creating Domain, the ARCOS team discovered
how performing artists can work to make sense of our

rapidly changing world by embedding contemporary
technological interfaces and platforms deep into performance processes. By distilling and dramatizing our
experience of existence, theatre allows us to better see
our own humanity and see anew our relationships with
our material inventions. Such examination of how humans continually remake ourselves through our machines may determine how we shape that relationship
moving forward. In Domain, the team embraced this
challenge by engaging with the process of transmedia
performance; these diverse formats inspired an innovative way to present an artificial intelligence's imagined
interior world with which an audience could relate and
empathize. The framework of transmedia storytelling
served as an effective structure through which to project
this physical version of the virtual reality in which our
own minds increasingly exist. The process of building
the project across multiple media and emergent technological formats, and migrating strategies back and forth
between them, resulted in a work that was truly about
the interaction between humans and our machines, in
a way it would not have been if audiences had only received it in a solitary evening at the theatre.
Ultimately, the production revealed, the human

Conference
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Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 2017

Contents
Theatre Design & Technology - Fall 2017 - Cover1
Theatre Design & Technology - Fall 2017 - Cover2
Theatre Design & Technology - Fall 2017 - 1
Theatre Design & Technology - Fall 2017 - 2
Theatre Design & Technology - Fall 2017 - Contents
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Theatre Design & Technology - Fall 2017 - Cover3
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