A revolving stage isn't new to theatre, but Hamilton's innovative use makes it a critical storytelling device to bring the characters' tumultuous world to life BY KIMBERLY POPPITI L ike many people, I knew that I wanted to see Lin-Manuel Miranda's Hamilton long before I was actually able to get a ticket. I was excited to see the show not only because of all the buzz and positive reviews, but also because I have an interest in turntable stages, which the show features significantly. I saw Hamilton in summer 2016. In the summer and fall of 2016, I had the great fortune to interview David Korins, Tony Award nominated scenic designer for Hamilton, as well as Franklin Swann and Bridget Van Dyke of Hudson Scenic Studio, about the design and construction of the turntable and ring for the show. W i n t e r 2 0 1 7 theatre design & technology 11