Theatre Design & Technology - Winter 2017 - 23
habit, of patterns handed down to individuals
and ingrained in institutions? How might we
change these patterns? And what will happen
to the theatre that we make if we do?
In the 2015-2016 academic year, Barnard's theatre department began by establishing a baseline of what kinds of materials
and objects we use in our design and production process for scenery, costumes, and props.
Where does our stuff come from? How much
is new? How much is used? How do our stock
items contribute? We began by quantifying the materials used, based on where they
came from. This first step would allow us to
establish a baseline, develop policies and best
practices, engage our guest artists in the experiment, and develop goals.
One starting point in this process was
the landmark design book Cradle to Cradle,
which develops the idea of "biological" and
"technical" nutrients in the design process-
in other words, acknowledging from the start
that the materials used in any design process
are not all equal in terms of impact. According to authors William McDonough and Michael Braungart, technical nutrients can be
used over and over again, re-used or recycled
without degradation of the materials. Biological nutrients are understood to have a shorter
life cycle, be used and then be returned to
the natural environment (McDonough and
Braungart 2002, 93). Theatre already has a
similar breakdown of materials. Stock items
like platforms, drops, or lighting instruments
are re-used repeatedly, while many new materials and objects are purchased for a single
show and often used only once.
Using things that already exist-whether in stock, or in rental houses, or purchased
used, is one of the simplest ways to reduce
the environmental impact of a design. While
we may not have the ability in theatre to
design from completely perfect "biological" and "technical" nutrients, we can begin
to think of our stock as a form of technical nutrients-things that can be used over
Behind the scenes,
there's a ShopBot.
ShopBot CNC tools are hard at work in the scene shops of the
country's leading regional theatres: Houston's Alley Theatre (shown
here), The Old Globe in San Diego, The American Repertory Theatre,
Playmakers Theatre at UNC-Chapel Hill, Berkeley Repertory Theatre,
Hartford Stage, Steppenwolf Theatre, and more.
It's all about performance:
* Go quickly from hand drawing
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theatre design
& technology
23
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Table of Contents for the Digital Edition of Theatre Design & Technology - Winter 2017
Contents
Theatre Design & Technology - Winter 2017 - Cover1
Theatre Design & Technology - Winter 2017 - Cover2
Theatre Design & Technology - Winter 2017 - 1
Theatre Design & Technology - Winter 2017 - 2
Theatre Design & Technology - Winter 2017 - Contents
Theatre Design & Technology - Winter 2017 - 4
Theatre Design & Technology - Winter 2017 - 5
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Theatre Design & Technology - Winter 2017 - Cover3
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