am perhaps grateful my luck wasn't sufficient to score a vial.) One of the most photographed exhibits, as readers may have seen on social media feeds, was Hungary's "Infinite Dune." At first, there was a large raised box that the viewers climbed underneath. Here, viewers elected an appropriately sized block (there were three sizes) to stand on and then stood up, head and shoulders through a hole where they could see eye-level sand dunes leading into the kaleidoscopic horizon. The view was the "infinite dune" of the title. The sky changed rapidly, taking the viewer through a miniature storm-like experience from the visual perspective atop the endless sand dunes. Finland had a similarly singlefocused experience, although the team used its footprint to create a performance space for their visitors. A rotating audience riser system and headphones were present for the entire length of the exhibition, with specific performance times listed throughout the week's schedule. This performance was connected to several others scattered throughout the city. Chairs were systematically removed Costa Rican Scenographic exhibit: Territorio Verde. Photo by Christina Barrigan. FALL 2019 | THEATRE DESIGN & TECHNOLOGY | 29http://iweiss.com