Theatre Design & Technology - Spring 2022 - 47

Richard Hay Undergraduate Scene
Design Award
The Richard Hay Undergraduate Scene Design Award honors upper-level undergraduate students or recent graduates who
display a strong sense of design aesthetics and competency in a wide variety of scenic design related skills. Winners will
demonstrate a strong execution of artistic and technical ability and display competency in the design process and the realized
production.
2022 Winner: Maggie Nelson
Maggie Nelson has been scenic designing
professionally for three years, and scenic
painting for six. Her most recent work has
been at Hope Summer Repertory Theatre's
2021 outdoor season as scenic designer for A
Year with Frog and Toad and The Importance
of Being Earnest, assistant to remote scenic
designers for The Mountaintop and Children
of a Lesser God, and scenic paint charge for
all of the above. She is currently in her fourth
year at The Conservatory of Theatre Arts at
Webster University, pursuing a BFA in scenic
design with a second emphasis in scenic art.
She likes spaghetti and nature.
The Barbara Matera Award in Costume
Making Sponsored by Judy Adamson
The Awards for Young Designers, Managers & Technicians in the Performing Arts, known throughout USITT as the YDMT
Awards, bring recognition and support to young designers, managers, and technicians at the beginning of their careers. They
are made possible by generous gifts to USITT from their sponsors.
2022 Winner: Emma Craig
Emma Craig started her education in the arts
in middle school focusing on costuming and
theatre. In her undergraduate career, she designed
departmental productions and worked
in the shop as a stitcher and wardrobe supervisor.
She holds a BA degree from Western
Washington University in theatre (costume
design). In her final year, she received an internship
at the Oregon Shakespeare Festival.
Immediately after school, she began working
as a stitcher at the festival working with a
variety of drapers and designers for six seasons
and more than 50 productions. Most
recently, in the summer of 2021, she worked
as a first hand at the Santa Fe Opera in the
return season after the pandemic. In the fall
of 2019, she moved to Austin, Texas, in pursuit
of a MFA in costume technology from the
University of Texas at Austin, and is anticipating
graduation in May 2022. Her specialty
skills include draping, tailoring, puppetry, millinery,
armor making, and mask making.
SPRING 2022 | THEATRE DESIGN & TECHNOLOGY | 47

Theatre Design & Technology - Spring 2022

Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 2022

Contents
Theatre Design & Technology - Spring 2022 - Cover1
Theatre Design & Technology - Spring 2022 - Cover2
Theatre Design & Technology - Spring 2022 - Contents
Theatre Design & Technology - Spring 2022 - 2
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Theatre Design & Technology - Spring 2022 - Cover3
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
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