Impressions - March 2014 - 69

And are you willing to make the necessary
workflow changes to take full advantage of
LED technology?
You have to weigh the benefit of increased exposure speed against the changes
you must make to accommodate it. Again,
we're still talking about exposing screens,
and the same variables factor in: screen
mesh, mesh count, emulsion, how you coat
the mesh, human resources and more.
Having presented seminars on efficient screen making and cleaning at trade
shows, as well as doing time studies in my
own shop for improvement purposes, I
have identified the steps in what I call "the
screen loop." Using the film technique, I
have identified 27 steps in the process. Using the CTS method, those 27 steps are
reduced to about 20 steps.
For shops using films, no matter which
bulb (LED or conventional) is used, there
remain the steps involved in creating the
films (vellum or waterproof) on an inkjet printer or imagesetter. The outputting
process has to be monitored, the films
inspected and a preregistration system
should be used to position films on the
glass for exposing.
The LED bulbs dramatically speed up
the process in exposure time. LED bulbs
come in a range of types that vary in exposure speeds. If you choose the fastest
LED bulb to replace a fluorescent bulb in

a traditional exposure unit, exposure times
will be reduced from 20 minutes to 20 seconds. If a shop has an exposure unit with
low-wattage metal halide bulbs, the exposure time using a fast LED bulb potentially
drops from about six minutes to 20 seconds.
Manufacturers offering the LED technology in conventional screen exposure
units using "slow" LED bulbs are dropping
the typical exposure time from 20 minutes per screen to potentially four to six
minutes when compared to a bank of fluorescent bulbs. So it is, by rough estimate,
tripling the output from three screens per
hour to 10 screens per hour.
However, the speed is relative and the
amount of time saved depends on where
you're starting. It may take 20 minutes
to expose one screen on a unit that uses
a bank of fluorescent tubes, compared to
only three to six minutes on a unit that
uses the same workflow, but with LED as
the light source.
But the savings likely will not be nearly as
dramatic if that LED unit's exposure time is
compared with that of a current-generation,
single-point metal-halide light source, where
30-second to two-minute exposures are not
uncommon with the right emulsion.
Granted, shaving a 30-second exposure
to 12 seconds would be a significant decrease
in exposure time, but would your throughput or workflow increase correspondingly?

Depending on how you are handling other
aspects of screen making and exposure, the
decrease in exposure time may not effectively yield any additional screens per hour.

NEW CONSIDERATIONS
You must consider whether you're using CTS - jetting a liquid or wax directly
onto the screen - or using film, a vacuum
unit and glass, in which case you have to
factor in all the film prep time, vacuum
draw-down and release time.
The draw-down time of a vacuum may
now be considerably longer than the exposure time (the opposite used to be the
rule), and faster exposure times may indicate the need for a larger vacuum pump,
with multiple ports to keep up. Remember, you never really get rid of bottlenecks,
you just move them around.
With either type of exposure unit, you
move the bottleneck down the line to the
screen washout process. If screens are being exposed every 20 seconds, you will
quickly have a big pile of screens waiting
to undergo this step.
With a CTS system, all the steps relating to creating the films and outputting
them are eliminated. If you are already
outputting 20-30 screens an hour, now
you can do 60. So if you add this technology, you now have new options to consider
and questions to ask. Do you buy a second

Lightspeed Equipment's LED
UV exposure units feature patent-pending
multispectrum technology. They work as well
with polymers as they do with dual cure and
diazo emulsions.

impressionsmag.com

March 2014 | Impressions

69


http://www.impressionsmag.com

Impressions - March 2014

Table of Contents for the Digital Edition of Impressions - March 2014

Impressions - March 2014
Contents
First Impressions
From the Show Director
FYI
Product Gallery
ISS Conferences
Ladies’ Choice
A Womenswear Decoration Primer
The Basics of Bling
Follow the Lead
Shop Spotlight
Embroidery Design & Digitizing
Embroidery Production
Tech Tips: Embroidery
Screen Printing Production
Screen Printing Technique
Tech Tips: Screen Printing
Digital Decorating
Classifieds
Online Directory
Ad Index
Impressions - March 2014 - BB1
Impressions - March 2014 - BB2
Impressions - March 2014 - Impressions - March 2014
Impressions - March 2014 - Cover2
Impressions - March 2014 - 1
Impressions - March 2014 - Contents
Impressions - March 2014 - 3
Impressions - March 2014 - First Impressions
Impressions - March 2014 - 5
Impressions - March 2014 - From the Show Director
Impressions - March 2014 - 7
Impressions - March 2014 - FYI
Impressions - March 2014 - 9
Impressions - March 2014 - 10
Impressions - March 2014 - 11
Impressions - March 2014 - 12
Impressions - March 2014 - 13
Impressions - March 2014 - 14
Impressions - March 2014 - 15
Impressions - March 2014 - Product Gallery
Impressions - March 2014 - 17
Impressions - March 2014 - 18
Impressions - March 2014 - 19
Impressions - March 2014 - 20
Impressions - March 2014 - 21
Impressions - March 2014 - ISS Conferences
Impressions - March 2014 - 23
Impressions - March 2014 - Ladies’ Choice
Impressions - March 2014 - 25
Impressions - March 2014 - 26
Impressions - March 2014 - 27
Impressions - March 2014 - 28
Impressions - March 2014 - 29
Impressions - March 2014 - 30
Impressions - March 2014 - 31
Impressions - March 2014 - 32
Impressions - March 2014 - 33
Impressions - March 2014 - A Womenswear Decoration Primer
Impressions - March 2014 - 35
Impressions - March 2014 - 36
Impressions - March 2014 - 37
Impressions - March 2014 - 38
Impressions - March 2014 - 39
Impressions - March 2014 - The Basics of Bling
Impressions - March 2014 - 41
Impressions - March 2014 - 42
Impressions - March 2014 - 43
Impressions - March 2014 - 44
Impressions - March 2014 - 45
Impressions - March 2014 - 46
Impressions - March 2014 - 47
Impressions - March 2014 - Follow the Lead
Impressions - March 2014 - 49
Impressions - March 2014 - 50
Impressions - March 2014 - 51
Impressions - March 2014 - 52
Impressions - March 2014 - 53
Impressions - March 2014 - Shop Spotlight
Impressions - March 2014 - 55
Impressions - March 2014 - 56
Impressions - March 2014 - Embroidery Design & Digitizing
Impressions - March 2014 - 58
Impressions - March 2014 - 59
Impressions - March 2014 - 60
Impressions - March 2014 - 61
Impressions - March 2014 - Embroidery Production
Impressions - March 2014 - 63
Impressions - March 2014 - 64
Impressions - March 2014 - 65
Impressions - March 2014 - Tech Tips: Embroidery
Impressions - March 2014 - Screen Printing Production
Impressions - March 2014 - 68
Impressions - March 2014 - 69
Impressions - March 2014 - 70
Impressions - March 2014 - Screen Printing Technique
Impressions - March 2014 - 72
Impressions - March 2014 - 73
Impressions - March 2014 - 74
Impressions - March 2014 - Tech Tips: Screen Printing
Impressions - March 2014 - Digital Decorating
Impressions - March 2014 - 77
Impressions - March 2014 - 78
Impressions - March 2014 - Classifieds
Impressions - March 2014 - 80
Impressions - March 2014 - Ad Index
Impressions - March 2014 - 82
Impressions - March 2014 - Cover3
Impressions - March 2014 - Cover4
Impressions - March 2014 - I1
Impressions - March 2014 - I2
Impressions - March 2014 - I3
Impressions - March 2014 - I4
Impressions - March 2014 - I5
Impressions - March 2014 - I6
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