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erudition and general intelligence rather than abstract theory.
Their scholarship was, of course, aligned with their Christian faith.
In the case of Lewis, as the Zaleskis stress, his "entire scholarly
project . . . was nothing less than to give an account, at once historical and spiritual, of Europe's Christian literary imagination"
(184). In The Allegory of Love, with its emphasis on Spenser and
other premodern figures, Lewis sought to look "through medieval eyes" in order "to see a meaningful, humanly habitable,
ordered universe" (184). As soon as one detached oneself from
the parochial perspective of one's own historical moment, one
entered a universe of thought that in the West was overwhelmingly Christian. To dismiss this inheritance or to proclaim oneself
"neutral," as many of his contemporaries did, seemed to Lewis
indefensible. It was another act of the self-sufficient ego believing
it could remake the world as it pleased in spite of all the evidence
to the contrary.
In his scholarship Tolkien likewise focused on the premodern
Christian literature of England, in particular that written in AngloSaxon and Middle English. Long before Lewis grasped it, Tolkien
understood that with the life, death, and resurrection of Christ,
myth had "entered history" (188)-not least of all, the history of
Britain. This reality was the focus of the Inklings' discussion on the
morning of Addison's Walk, September 20, 1931, a discussion that
led to Lewis's conversion one week later.
The Fellowship is a remarkable literary biography in that it conveys the intense drama and significance of intellectual pursuits
that in less capable hands might otherwise seem less compelling.
The book is filled with such a range of information and analysis
and such a depth of insight that it is truly a delight to read. The
authors' knowledge of the four principal authors and of second132

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Modern Age - Fall 2016

Table of Contents for the Digital Edition of Modern Age - Fall 2016

Contents
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Modern Age - Fall 2016 - Contents
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