Modern Age - Spring 2016 - 28

MODERN AGE

SPRING 2016

Hence the renunciation: Prospero's magic, unlike the black arts
associated with Dr. Faustus, must not be used to alter reality but
rather to reveal it.12 Like literature, it enhances our sense of who
and what we are without allowing us to alter fundamentally our
nature. A famous exchange between Prospero and Miranda, who
having been on the desert island since she was little more than an
infant knows little of humanity, makes the point:
Miranda: Oh wonder!
How many goodly creatures are there here!
How beauteous mankind is! O brave new world
That has such people in't!
Prospero: 'Tis new to thee. (5.1.181-84)

Prospero's rueful irony contrasts sharply with the barren cynicism
of Iago-or of Antonio and Sebastian. Miranda is right: mankind
is "beauteous," created in the image and likeness of God. Her
father's cryptic rejoinder admonishes her that mankind is also
fallen. His magic, however, in contrast to the human engineering
envisioned by Aldous Huxley in his version of a brave new world,
seeks only repentance in the sinners. He doesn't try to refashion
them according to an ideological template.

W

hat makes Don Quixote and Shakespearean drama paradigmatic in the literature of the Western world is the uncanny
ability of Cervantes and the great playwright to treat vulgar fantasy, such as the chivalric romances, with appropriate derision,
while reminding generations of readers and audiences that the
reality of human life is more rich, varied, and marvelous than we
ordinarily acknowledge; that the real, the world we inhabit, is
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Modern Age - Spring 2016

Table of Contents for the Digital Edition of Modern Age - Spring 2016

Contents
Modern Age - Spring 2016 - Cover1
Modern Age - Spring 2016 - Cover2
Modern Age - Spring 2016 - Contents
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