Modern Age - Summer 2016 - 128

MODERN AGE

SUMMER 2016

in the later work to address more comprehensively those philosophical questions noted above.
"Treowe: An Etymology" was discussed at length in my memorial essay on Mills.2 The poem is a brilliantly interwoven history of
the connections, both physical and metaphorical, among wood,
words, and truth by way of a common origin for Tree and Truth in
an Indo-European root word. The final stanza-here, in a slightly
revised version-gets close to the heart of Mills's poetics:
But long before the folio and poem
Had been pressed together in a tome,
Before the logs were kept on tablets hewn
Of oak or elm, before the druid's rune,
There grew a seedling noun that ramified
The names of Tree and Truth and then it died.
Its sound was solid, finely grained and grooved,
As was its meaning: "That which cannot be moved."

Even more comprehensively, "Making the Cradle" finds deep
correspondences between the heavenly constellations and the
music of the spheres-and in the case of this poet's own family
life-the making of a cradle for one of his children:
I've heard it planing knots in oak where scenes
Of grain in radiating lines abound.
Their patterns look like solar systems drawn
In books, elliptical by how they're sawn.

Such profound likenesses in things- ". . . Orion keeping time / With
Leo in a pattern like a rhyme"-lead to the conclusion about the
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Modern Age - Summer 2016

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