Modern Age - Summer 2016 - 130

MODERN AGE

SUMMER 2016

reflections on the relationships between metaphor, memory,
and time:
Is metaphor a memory, two things
Remembering when they were both the same?
Consider the stars, no, all things far apart;
By a common trait or someone's turn of phrase,
They leap together in the linker's mind,
A backwards bang that reunites the light
That shines as various and sundry suns.

The word "linker" describes a poet by way of what for Mills may
be the poet's most essential task: to demonstrate that likeness
implies a oneness from which all likenesses descend.
This understanding of the poet's role in a post-Edenic human
condition is apparent in "Fallen Fruit." There the poet's children
ask those difficult questions children are given to asking: "How
are shadows made?" (daughter) and "What if time could slip?"
(son). Mills sees these questions as indicating that his children's
". . . minds and garden-hearts could already lisp / In metaphors,"
could sense the existence of a world beyond this fallen one we
live in, and "Could see the world that isn't there, could smell /
The sweetly fecal scent of fallen fruit / That issues out of symbols
like a spell." Paradoxically, "The Fall was knowing what it meant
'to stand,' " a statement reflecting the poet's belief that all things
like and unalike are deeply interconnected. Mills sees himself, as
poet and painter, trying to understand these matters as if he were
blind Helen Keller learning to communicate: ". . . like Helen when
she knew / The beauty of the world, what liquefied / Across her
hands that felt and wrote and drew."
130

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Modern Age - Summer 2016

Table of Contents for the Digital Edition of Modern Age - Summer 2016

Contents
Modern Age - Summer 2016 - Cover1
Modern Age - Summer 2016 - Cover2
Modern Age - Summer 2016 - Contents
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