Modern Age - Summer 2016 - 132

MODERN AGE

SUMMER 2016

divine. Too often we live only for the clock and fail to notice how
in the absence of incremental time we would ironically be more
able to see the pattern in the rug, how the stained glass windows
of our lives make sense as wholes and not as mere pieces.3

and
. . . being face-to-face with mortality shows me more clearly who
I am. It reminds me of something the Southern writer, Andrew
Lytle, told me once when I was a student. When he turned ninetyfive, I asked him how that felt, and he said that the years didn't
mean anything because he had already begun to live in the sense
of eternity. I now know what he meant.4

Selected Poems gathers together many, but by no means all, of
Wilmer Mills's best poems. When the time is right, a volume of
collected poems should most certainly be published. Until then,
readers will need copies of both Light for the Orphans (2002) and
Selected Poems (2013) to take as full a measure as is now possible
of his stature as an important contemporary poet.
A basket weaver himself, like the weaver in his poem "The Basket
Weaver's Dream," Wilmer Mills has written poems whose words
and music take the reader forward, yet also back, along time's
mysterious road through many of the joys and sorrows and unanswered questions of this life toward "a breeze in the trees of Eden."
1
2
3
4
132

David Middleton, "Singing the Pieces Back in Place: The Life and Verse of Wilmer Hastings Mills (1969-2011)," Modern Age 55, nos. 1 and 2, Winter/Spring 2013, 111-19.
Ibid., 118-19.
Jeff Hardin, "A Gift for Adoration: Celebrating the Life and Words of Poet Wilmer Mills,"
http://www.chapter16.org/print/1630.
Wilmer Mills, "Living in Eternity," June 8, 2011, http://www.chapter16.org/print/1516.
moder nagejour nal .com



http://www.chapter16.org/print/1630 http://www.chapter16.org/print/1516 http://www.modernagejournal.com

Modern Age - Summer 2016

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