Modern Age - Summer 2016 - 72

MODERN AGE

SUMMER 2016

The social repercussions of this false conception of freedom are
legion.
Freedom, rightly understood, is directed toward transcendent
reality, which is of a whole. It is, in other words, an integrating act
toward that which is ultimately integrated. Art, then, employs
symbols, which point to an integrated reality beyond themselves.
Pseudo-freedom, along with its offspring pseudo-art, is an act
directed toward immanence, which is to say toward the autonomous self, which is necessarily disintegrative.
When framed in these terms, the sacramental nature of art is
hard to avoid, and once again we are pushed to consider the religious aspects that seem to reside at the very core of the artistic
endeavor, which is "the still point of the turning world" ("Burnt
Norton," II, 177), which is to say, the annunciation presages that
which comes: as the poet puts it, "The hint half guessed, the
gift half understood, is Incarnation ("Dry Salvages," V, 199). The
artistic act is an embodied act, which incarnates that which has
been Incarnated at the still point of history, the meeting of time
and eternity. The created and the creator meet in the moment of
Incarnation, and only in these terms does the artistic endeavor
make sense. Herein, the universal and the particular meet and
the enigma of this philosophical conundrum is resolved in mystery. In a person. In Logos.
Pieper argues that an essential feature of festivity is art, but
the festive only makes sense in terms of a religious context.3 For
the Christian, Sunday represents the weekly celebration of the
creation (having incorporated the Sabbath) but also situates this
weekly celebration, as well as the entire year, around the Easter
Resurrection, which looks forward to the eternal festival. But ours
is an age hostile to festival even as we strive to work harder and
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Modern Age - Summer 2016

Table of Contents for the Digital Edition of Modern Age - Summer 2016

Contents
Modern Age - Summer 2016 - Cover1
Modern Age - Summer 2016 - Cover2
Modern Age - Summer 2016 - Contents
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