Modern Age - Winter 2016 - 155

REVIEWS

domly while maintaining meter and a definite rhyme scheme. She
advises them to pick a text they love but steer clear of something
like Catullus's "Odi et amo" ("merely two lines / but impossible
to unpack / in English") and reminds them of Frost's observation
that "poetry is / what gets lost in translation. . . ." But such a loss
provides creative freedom for the translator, who, transcribing a
work from one language into another, in a sense creates a new
work and becomes a poet in his or her own right. On the other
hand, Cherry warns students:
Translation adds to who
you are but takes away
your self. The question is,
will you give your life
for someone else's work?

It is best, she suggests, to stick to one's own original work rather
than lose one's self in the "pitfall" of translation.
"What the Poet Wishes to Say" has the same kind of didactic
quality as the proceeding poem, warning that poetic craft requires
"years, contemplation, prayer" and that the object of poetry is not
the immortalization of the poet but to capture in near-musical
terms a moment in the world at a particular time, a distillation of
experience. In "The Life and Death of Poetry," Cherry reiterates
this theme and expands it:
. . . The poem must die
To the poet, it must be dead
To the poet's ego, go out
Of the poet's self, cleaving
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Modern Age - Winter 2016

Table of Contents for the Digital Edition of Modern Age - Winter 2016

Contents
Modern Age - Winter 2016 - Cover1
Modern Age - Winter 2016 - Cover2
Modern Age - Winter 2016 - Contents
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