Modern Age - Winter 2017 - 134

MODERN AGE

WINTER 2017

Of course, the darkness of de-creation, however dark, is not universal. Helen Pinkerton's poems maintain the light and warmth
of reason, balance, and craft, in keeping with the dictates of her
friend and mentor Yvor Winters, and this generous selection of
her verse, spanning seven decades, is an occasion for celebration
and gratitude. In "Red-Tailed Hawk," Pinkerton offers an implicit
antidote to Pope's horror at the dying Light. The eponymous
bird soars on the up-thrust of an invisible, but wholly sufficient,
thermal:
Out of my sight, taking a certain path,
Knowing from ancient blood, instinctive might,
How to survive beyond the present drift,
He seemed to shift from nothingness toward flight.
Yet it was real, the warm column of air-
Like being, unrecorded, always there.

The word "being" in the final line might be more properly rendered Being, for Pinkerton is a religious poet, not merely a "spiritual" one, though her brand of neoscholastic faith is anything but
facile and pietistic. For her, the unseen and too often "unrecorded"
(unacknowledged) power that ensures deliverance "beyond the
present drift" is the God who reveals His name and nature to
Moses by way of the Hebrew tetragrammaton YHWH: "I AM"-
the Uncreated Creator. In lieu of an epigraph, Pinkerton's initial
poem, "Metaphysical Song," amounts to a credo, and a firm one,
but so emphatic a statement of belief has behind it a clear experiential recognition of the persistent claims of Eros, modern and
postmodern doubt, and what Benedict XVI called "the tyranny
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Modern Age - Winter 2017

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