Modern Age - Winter 2018 - 148

Modern Age

*

Winter 2018

America's most European city, with its streets named after saints
and the nine muses. Nesanovich recalls eating muffulettas made
at home from ingredients purchased at the French Quarter's
famous Central Grocery and having beignets and café au lait with
her father and sister at the Quarter's Café du Monde:
this moment will last, the sweet delight
will hold us forever: my sister and me . . .
................................
. . . and we have years
to plan, to dream, to bite into the hot flesh of life
with its tingle, its flavor, its promise
-"Café du Monde"

But her father, this sister, and another sis- ter are now dead, and
in her elegy "Scattering My Sister's Ashes," Nesanovich meditates
on the fate of the body as she thinks on these ashes cast into
a lake near Lake Charles: "The body comes down / to this: dust
strewn on water, amniotic fluid / we lived in once. Submerged in
ocean again, / we join the tidal cycle."
Yet the fate of the soul is not that of the body. In a moving
elegy addressed to her friend and fellow poet Leo Marcello ("For
Leo in April"), Nesanovich finds a symbol of hope in a dove (a
"Transfiguring sign") that perches on the steeple of the cathedral
at her friend's funeral, and she concludes, "I pictured your life / A
pentacle mosaic, points of gold / Radiating grace."
Such beauty, hope, and grace the poet also found in a church-
named, in one of life's mysterious correlations, St. Leo's, where
she attended early Mass in her youth. As Nesanovich remembers,
there was "Always stained glass: amethyst, vermilion, / blue and
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Modern Age - Winter 2018

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Contents
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Modern Age - Winter 2018 - Contents
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