Modern Age - Winter 2018 - 149

Reviews

emerald, sun-brightened saints," and a grotto dedicated to the
Virgin "where candles danced in claret wells, / filled triple tiers to
honor Mary, / forever cloaked in white and blue." The poem's last
lines are especially moving:
Whatever my sorrow, my desire,
spirits lifted with Eucharist,
censing during Benediction:
haze of myrrh across the nave,
words and song graced by Latin.

These poems so deeply rooted in Nesa- novich's memories of
her life in Louisiana are complemented by poems set in other
times and places. In "Keepers of Memory," Nesanovich finds a
deep affinity with Ameri- can Indian women, who, in a culture
with- out a written language, are the tribal scribes, historians, and
rememberers who "listen, record treaties in memory's ledgers,"
and "carry the past, like the children / corded to their backs."
In the monologue "T. S. Eliot at Norwich 1942," Nesanovich
follows Eliot as he visits the bombed remains of the church and
cell of St. Julian of Norwich, whose words Eliot quotes in "Little
Gidding," the last of the Four Quartets. This sacred place is "a
labyrinth of vines and dragonflies now" yet still speaks to us "in
our desolate century, imprisoned / and starved for sanctity." The
poem closes with Eliot echoing "East Coker"-the second of the
Four Quartets-and finding in this site and in the ancient rhythms
of agricultural life, a source of hope:
. . . Here a bronze crucifix twisted
by heat, a scent of apples, shocked grain,
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Modern Age - Winter 2018

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