Modern Age - Winter 2018 - 155

Reviews

ligence longer than Buckley, never became as ideological. Instead
he devoted himself to duty and tradecraft, skills that seemed to
have successfully transferred into his career as novelist. To the
extent he has become political, it has taken the form of increased
cynicism about his own country-and even more for her chief
ally, the United States. In the process, le Carré's books have lost
much of the shadowy quality that had once made them so exciting, substituting instead contrasts of black and white.
Le Carré's novels nearly always had negative portrayals of British intelligence's partners in the CIA. As early as 1952 at Oxford,
he impressed a communist friend with his anti-Americanism and
passionate reaction to the execution of the Rosenbergs for atomic
espionage. (Possibly, le Carré was trying to win the communist's
confidence on behalf of MI5.) Le Carré's negativity about America
expanded after the Cold War. Even before the Iraq War, which le
Carré hotly opposed, his fury was on display in novels such as The
Constant Gardener, which became a 2005 film with Ralph Fiennes.
In it, a British diplomat's wife, working for Amnesty International, is
murdered by an international drug company that is testing unsafe
drugs on unsuspecting Kenyans. Conservative reviewers and
others panned the angry, conspiratorial tone, with the New York
Review of Books calling it "strident" and "furious" as well as "embarrassing," but the novel and the film were commercially successful.
Le Carré's next novel, Absolute Friends, was equally artful yet more
politically zealous, focusing on a British activist and his German wife
who campaign against American influence and globalization. For
their efforts they are killed by American and German intelligence
services, who claim they are members of al-Qaeda. A reviewer in
the Times Literary Supplement pronounced that the book's "indictment of the United States so overshoots reasonable levels of credmodernagejournal.com

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Modern Age - Winter 2018

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