Modern Age - Winter 2018 - 95

Charlemagne's European Project-and Rémi Brague's

Christianity. While the relations between Romans and Greeks, and
Christians and Jews, do not line up in a neatly symmetrical way
(Jesus, after all, said, "Before Abraham was, I AM"), Brague maintains that each pair required the later member to acknowledge
the indispensable contribution of the earlier to itself. Christianity's
relationship with Judaism was tension-ridden, and tension, at least
of certain sorts, is essential for cultural dynamism.
His main concern, however, is not so much the constitutive relationship between Judaism and Christianity, but the latter insofar
as it formed European culture. In other words, he is interested in
Christ, Christianity, and the Roman Church as "culture-forming."
They were foundational for European culture. That makes intuitive sense, if one recalls that culture has "cult" at its core. The
putting-in-order of the divine-human relationship is one of the
key functions of culture. For culture is
a certain synthesis, a certain way of conceiving the relationship
between two terms. These two terms are, speaking generally, the
divine and the human. Or, if one wishes, God and man, the sacred
and the profane, heaven and earth, the spiritual and the temporal.
Each culture deals with these two terms. Each culture proposes,
explicitly or implicitly, a response to the question of their relations.

Christianity did so, however, in a distinctive, even "paradoxical" way, with its fundamental teaching of the Incarnation, Godbecome-man; and Roman Catholicism drew out its consequences
with remarkable rigor and effect. Brague sketches those that
bear upon his theme. First, though, his thesis about Christianity's
paradoxical nature: "Christianity unites the divine and the human
where it is easy to distinguish them; it distinguishes the divine
and the human where it is easy to unite them."
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Modern Age - Winter 2018

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