Modern Age - Winter 2018 - 97

Charlemagne's European Project-and Rémi Brague's

character of the ethical imperative, and to judge the ends and
means of the latter.

One cannot but foresee a desire to escape this dialectic in toto,
and others have traced the new path sought and taken. (A good
treatment of the contest between the two authorities and its
unintended consequence, the Christian nation and the monarchical state, is David Gress's From Plato to NATO.)

Questions for contemporaries
It is time for a summing up of Europe, la voie romaine, and this
in two ways: what European culture is essentially, according to
Brague; and his judgment of its condition in 1992. Then we will
turn to more recent thoughts and judgments.
We have tried to identify the essential elements contained
in Brague's concept of European culture: the titular "roman";
its "eccentric" character, owing to external "sources"; its novel
"form," owing to a duality of just such sources; their common trait
of being "open to the universal"; and their final form in Catholic
cult and culture.
At its core, this is a "determinate attitude," a distinctive way of
envisaging and relating to the Big Three of God, world, and the
human, as well as to history and a constitutive set of "others."
While Brague emphasizes its formal character and characteristics,
it has material contents as well. Form cannot be separate from
matter, precisely because it gives matter its shape and animates
its life. As we have seen, what is most formal for Brague is the
eccentricity and secondarity of the European mind and spirit: it
looked abroad for its fundamental points de repère, both culturally
and religiously. It therefore could never claim them as originally
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