Recording - September 2010 - 32
Mackie Onyx-i Series Mixers
PFL/AFL status determined per send. A pair of rear-panel DB-25 connectors let you easily route all 16 inputs (pre fader, pre or post eq) to an external hard disk recorder. You can hook up an external mic to the Talkback system; you can control the Tape In level and route it to the Main Mix separately from the Control Room/Phones mix; the input channels all have very usable 4step level meters, and more‚ but where things really get cool is when you add on the FireWire. Now we’re cooking The 1640i is a full 16-in/16-out FireWire interface. Each input channel can be routed to a DAW with the A/D converter either pre or post eq, but more significantly, up to 16 channels can be brought back into the 1640i through the mixer channels for a mixdown to stereo in the analog domain. Much has been made of the “analog summing bus” as a way to mix DAW audio without building up digital garbage like rounding and quantization errors; many high-end studios favor this way of
working to get the best possible quality in their DAW-based mixes. This routing now lets you do precisely that with the 1640i, bringing signals back and routing them through the Perkins eq and any external effects you may have on the console’s Aux busses. You can’t automate your mixes this way; the 1640i doesn’t have motorized faders or any other means of reproducing mix settings. But a clever user can automate levels within the DAW itself, and sum the resulting signals at unity gain using the 1640i as a summing bus. Once you’ve summed your signals, then what? Where do you send your mixes? Why, back to the computer, of course! Unlike the 820i and 1220i, the 1640i gives you individual choice of which analog signals you feed your computer. Rather than simply taking all channel inputs to the DAW at once, the 1640i lets you turn each individual channel’s FireWire feed on or off, and use the freed-up channels for other things. You can route the four subgroups, all six Aux sends, and the Main Mix to FireWire inputs 5–8, 9–14, and 15–16 respectively. This routing flexibility is huge. It lets you completely integrate the 1640i and anything connected to it in the analog domain with your DAW, at the cost of some latency compensation in the final recorded tracks. You can route signals from Auxes to DAW
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Recording - September 2010
Table of Contents for the Digital Edition of Recording - September 2010
Recording - September 2010
Fade In
Contents
Talkback
Fast Forward
Ten Steps To Better Mixes
Summit Audio Everest
Mixing in Pro Tools: A 10-Step Program To Get The Job Done
FXpansion DCAM: Synth Squad
Miking and Mixing a SymphonyOrchestra
Focusrite Saffire Pro 24 DSP
Mackie Onyx-i Series Mixers
Zoom G2.1Nu
ADK Microphones Berlin 47 Au and Cremona 251 Au
Sanyo Xacti Sound Recorder
Recording’s Showcase of Sounds
iZotope Alloy
It’s Your Money—Know Your Rights. Chapter 6: Income Earned By Songs—Part 1.
Readers' Tapes
Advertiser Index
Fade Out
Recording - September 2010 - Recording - September 2010
Recording - September 2010 - Cover2
Recording - September 2010 - 1
Recording - September 2010 - Fade In
Recording - September 2010 - 3
Recording - September 2010 - Contents
Recording - September 2010 - 5
Recording - September 2010 - Talkback
Recording - September 2010 - 7
Recording - September 2010 - Fast Forward
Recording - September 2010 - 9
Recording - September 2010 - Ten Steps To Better Mixes
Recording - September 2010 - 11
Recording - September 2010 - Summit Audio Everest
Recording - September 2010 - 13
Recording - September 2010 - 14
Recording - September 2010 - 15
Recording - September 2010 - Mixing in Pro Tools: A 10-Step Program To Get The Job Done
Recording - September 2010 - 17
Recording - September 2010 - 18
Recording - September 2010 - 19
Recording - September 2010 - FXpansion DCAM: Synth Squad
Recording - September 2010 - 21
Recording - September 2010 - 22
Recording - September 2010 - 23
Recording - September 2010 - Miking and Mixing a SymphonyOrchestra
Recording - September 2010 - 25
Recording - September 2010 - Focusrite Saffire Pro 24 DSP
Recording - September 2010 - 27
Recording - September 2010 - 28
Recording - September 2010 - 29
Recording - September 2010 - Mackie Onyx-i Series Mixers
Recording - September 2010 - 31
Recording - September 2010 - 32
Recording - September 2010 - 33
Recording - September 2010 - Zoom G2.1Nu
Recording - September 2010 - 35
Recording - September 2010 - 36
Recording - September 2010 - 37
Recording - September 2010 - ADK Microphones Berlin 47 Au and Cremona 251 Au
Recording - September 2010 - 39
Recording - September 2010 - 40
Recording - September 2010 - 41
Recording - September 2010 - 42
Recording - September 2010 - 43
Recording - September 2010 - 44
Recording - September 2010 - 45
Recording - September 2010 - Sanyo Xacti Sound Recorder
Recording - September 2010 - 47
Recording - September 2010 - Recording’s Showcase of Sounds
Recording - September 2010 - 49
Recording - September 2010 - iZotope Alloy
Recording - September 2010 - 51
Recording - September 2010 - 52
Recording - September 2010 - 53
Recording - September 2010 - It’s Your Money—Know Your Rights. Chapter 6: Income Earned By Songs—Part 1.
Recording - September 2010 - 55
Recording - September 2010 - Readers' Tapes
Recording - September 2010 - Advertiser Index
Recording - September 2010 - 58
Recording - September 2010 - 59
Recording - September 2010 - 60
Recording - September 2010 - 61
Recording - September 2010 - 62
Recording - September 2010 - 63
Recording - September 2010 - Fade Out
Recording - September 2010 - Cover3
Recording - September 2010 - Cover4
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