Recording - May 2011 - 61
Staying with drums for a moment, my friend JC Hughes also tried them out on drum kit, including using one as a mono front-of-kit mic. After auditioning it against a few of the less expensive ($200–$300) import ribbons that many of us own, there was just no contest... this mic was in a whole different league. Rounding things out, from a screaming 100-Watt tube amp to folksy strummed acoustic guitar to tambourines and congas, the VR1 is consistent and full sounding with an open yet smooth high end, and the one thing I did not mention yet, a very lovely bottom end. As striking as the VR1’s high end is, its 50–100 Hz low-end boost is sublime. It’s not a fat low end that clubs you over the head or sounds like a pillow, rather it just exhibits a deepness that you feel rather than hear.
While I have yet to find a source where this mic sounds bad, if you want a more muted classic ribbon sound à la Coles, AEA or Royer, you’ll need to dial back the highs a bit... although again JC Hughes felt it did have some Coles-like qualities just as it was. Conclusions Although sE has made a name for itself offering high-value mics at budget prices, the Voodoo VR1 carries a street price of around $700, so this is not your average budget cheapo-Chinese ribbon mic in price... nor look, feel or sound. This is one of the most 3dimensional ribbons I have ever used, and it is the first ribbon I have come across that could easily replace many of my largediaphragm condensers as a go-to mic, and I definitely see a pair in my future. Last I heard, JC Hughes is thinking the same thing.
If you don’t traditionally like ribbon mics, these may be just the ticket for your studio. If you love ribbon mics, then you need to hear these, because you have never heard a ribbon that sounds like this. I will leave you with a final quote from Mr. Hughes that truly sums up this mic best: “Definitely less of the ‘classic ribbon sound’ and more condenser-like... but somehow... very much still a ribbon.” I agree! Price: $799 More from: sE Electronics, www.seelectronics.com. Paul Vnuk Jr. would like to thank his friend J. Christopher Hughes for the use of his ears, his studio and his time. Check out his Posthistoric Studios at www.jchristopherhughes.com.
http://www.seelectronics.com
http://www.jchristopherhughes.com
http://www.recordingmag.com/newsletter.html
Recording - May 2011
Table of Contents for the Digital Edition of Recording - May 2011
Recording - May 2011
Fade In
Contents
Talkback
Fast Forward
Phonic S16 Digital Mixer
Lift Your Voice
Chameleon Labs TS-1 MKII Mic
Melodyne In Action
Roland OCTA-CAPTURE
Comparing Auto-Tune and Melodyne editor: A Producer’s Perspective
Samson Meteor Mic
The FATSO Family
Reviewed and Revisited: Antares Auto-Tune 7
Readers’ Tapes
Lauten FC-357 Clarion Mic
It’s Your Music—Know Your Rights. Chapter 14: The Role Of The Producer —Part 2
Game Audio—Your Next Career Move?
sE Electronics Voodoo VR1 Ribbon Mic
Recording’s Bass Column
Advertiser Index
Fade Out
Recording - May 2011 - Recording - May 2011
Recording - May 2011 - Cover2
Recording - May 2011 - 1
Recording - May 2011 - 2
Recording - May 2011 - 3
Recording - May 2011 - Fade In
Recording - May 2011 - 5
Recording - May 2011 - Contents
Recording - May 2011 - 7
Recording - May 2011 - Talkback
Recording - May 2011 - 9
Recording - May 2011 - Fast Forward
Recording - May 2011 - 11
Recording - May 2011 - Phonic S16 Digital Mixer
Recording - May 2011 - 13
Recording - May 2011 - Lift Your Voice
Recording - May 2011 - 15
Recording - May 2011 - 16
Recording - May 2011 - 17
Recording - May 2011 - 18
Recording - May 2011 - 19
Recording - May 2011 - 20
Recording - May 2011 - 21
Recording - May 2011 - 22
Recording - May 2011 - 23
Recording - May 2011 - 24
Recording - May 2011 - 25
Recording - May 2011 - Chameleon Labs TS-1 MKII Mic
Recording - May 2011 - 27
Recording - May 2011 - Melodyne In Action
Recording - May 2011 - 29
Recording - May 2011 - 30
Recording - May 2011 - 31
Recording - May 2011 - 32
Recording - May 2011 - 33
Recording - May 2011 - 34
Recording - May 2011 - 35
Recording - May 2011 - Roland OCTA-CAPTURE
Recording - May 2011 - 37
Recording - May 2011 - Comparing Auto-Tune and Melodyne editor: A Producer’s Perspective
Recording - May 2011 - 39
Recording - May 2011 - Samson Meteor Mic
Recording - May 2011 - 41
Recording - May 2011 - The FATSO Family
Recording - May 2011 - 43
Recording - May 2011 - 44
Recording - May 2011 - 45
Recording - May 2011 - Reviewed and Revisited: Antares Auto-Tune 7
Recording - May 2011 - 47
Recording - May 2011 - Readers’ Tapes
Recording - May 2011 - 49
Recording - May 2011 - Lauten FC-357 Clarion Mic
Recording - May 2011 - 51
Recording - May 2011 - 52
Recording - May 2011 - 53
Recording - May 2011 - 54
Recording - May 2011 - 55
Recording - May 2011 - It’s Your Music—Know Your Rights. Chapter 14: The Role Of The Producer —Part 2
Recording - May 2011 - 57
Recording - May 2011 - Game Audio—Your Next Career Move?
Recording - May 2011 - 59
Recording - May 2011 - sE Electronics Voodoo VR1 Ribbon Mic
Recording - May 2011 - 61
Recording - May 2011 - Recording’s Bass Column
Recording - May 2011 - 63
Recording - May 2011 - 64
Recording - May 2011 - Advertiser Index
Recording - May 2011 - 66
Recording - May 2011 - 67
Recording - May 2011 - 68
Recording - May 2011 - 69
Recording - May 2011 - 70
Recording - May 2011 - 71
Recording - May 2011 - Fade Out
Recording - May 2011 - Cover3
Recording - May 2011 - Cover4
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