Recording - March 2012 - 61

Fernando: Like Allen, I found the Fretlight guitar to be an excellent learning tool. I also found it offered a useful and interesting way to help with writing riffs and licks, especially those adhering to scales and keys that one might not typically be comfortable enough to write in. When using the play-along tracks, I found improvising to be an enhanced learning experience, since you don’t have to rely on prior knowledge or memory to know what scales to use, and when a song modulates, the scales change in real time. Looping such a progression is very helpful to learn the possibilities and actions necessary for this type of harmonic content. A real axe, too The lights on the fretboard aren’t the only thing this instrument has going for it—this is also a full-fledged guitar. We both played it through an amp and various rigs, and we feel like it would be a suitable instrument for live performance or even for recording. The FG-421 model we had for review sports a 25.5” scale with a 12” radius and Cshape maple neck with 21 medium/high frets. The fretboard is made of “advanced” polymer with an LED circuit board layer (throughout all of its 21 frets) right underneath. The body is made of alder and is available in classic Jet Black, Pearl White, Renegade Red, Tobacco Sunburst, Rustic Red, and Powder Blue. It has chrome hardware, including a fixed bridge with adjustable saddles, guitar string ferrules, a two-way adjustable truss rod at the headstock, and both a 1/4" output (for audio-to-amp; located at the traditional placement for Stratocaster guitars) and DIN-to-USB connector for Fretlight data. The S-S-H pickup configuration is one that we prefer on Strats as you get both single-coil and humbucking sounds. The 5way pickup selector allows you to join the neck and middle single-coils, or the humbucker with the middle pickup. We found the sounds to be useful and diverse enough for Blues, Rock and Country. They interacted very well with a variety of pedals. The review model included the N-Tune system (www.ntune.com) built into the volume knob, where by simply pulling on it, you activate a built-in tuner. It’s an option when purchasing the guitar, but proved to be a really handy feature for a quick tune-up. The playability as a guitar was decent, good for an instrument in its price range. Maybe a bit stiff at first for some people’s playing style, but less so as one gets used to it. Allen commented that the FG-421 was a bit heavier than a standard guitar in this style, probably due to the added electronics. For us, following the red LED dots worked better for learning scales and chords than for playing songs with the suggested fingering, because if you’re fretting a note correctly, you’re very likely covering up the visual guides. But you can always
RECORDING MARCH 2012

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http://www.SongCraftStation.com http://www.SongCraftStation.com http://www.ntune.com http://www.kelaudio.com

Recording - March 2012

Table of Contents for the Digital Edition of Recording - March 2012

Recording - March 2012
Fade In
Contents
Talkback
Fast Forward
Emmylou Harris: The Songwriter And The Studio
BOSS MICRO BR BR-80 Digital Recorder
Songwriters—Turn Your Songs Into Money!
Reviewed & Revisited: Apple MacBook Air and GarageBand ’11
Ronan Chris Murphy: Sage Advice For The Recording Singer/Songwriter
Cakewalk Music Creator 6
Recording Fundamentals. Chapter 3: Introduction To Audio—Part Two (Where Do The Mics Go?)
Slate Pro Audio Fox Mic Preamp
From Songwriting To Final Master: A Recording Project
Reviewed & Revisited: Steinberg Cubase 6
A Demo In A Day
Once Over—Reviews In Brief
Readers' Tapes
Advertiser Index
Fade Out
Recording - March 2012 - Intro
Recording - March 2012 - Recording - March 2012
Recording - March 2012 - Cover2
Recording - March 2012 - 1
Recording - March 2012 - 2
Recording - March 2012 - 3
Recording - March 2012 - Fade In
Recording - March 2012 - 5
Recording - March 2012 - Contents
Recording - March 2012 - 7
Recording - March 2012 - Talkback
Recording - March 2012 - 9
Recording - March 2012 - Fast Forward
Recording - March 2012 - 11
Recording - March 2012 - Emmylou Harris: The Songwriter And The Studio
Recording - March 2012 - 13
Recording - March 2012 - 14
Recording - March 2012 - 15
Recording - March 2012 - 16
Recording - March 2012 - 17
Recording - March 2012 - 18
Recording - March 2012 - 19
Recording - March 2012 - BOSS MICRO BR BR-80 Digital Recorder
Recording - March 2012 - 21
Recording - March 2012 - Songwriters—Turn Your Songs Into Money!
Recording - March 2012 - 23
Recording - March 2012 - 24
Recording - March 2012 - 25
Recording - March 2012 - 26
Recording - March 2012 - 27
Recording - March 2012 - Reviewed & Revisited: Apple MacBook Air and GarageBand ’11
Recording - March 2012 - 29
Recording - March 2012 - 30
Recording - March 2012 - 31
Recording - March 2012 - 32
Recording - March 2012 - 33
Recording - March 2012 - Ronan Chris Murphy: Sage Advice For The Recording Singer/Songwriter
Recording - March 2012 - 35
Recording - March 2012 - 36
Recording - March 2012 - 37
Recording - March 2012 - Cakewalk Music Creator 6
Recording - March 2012 - 39
Recording - March 2012 - Recording Fundamentals. Chapter 3: Introduction To Audio—Part Two (Where Do The Mics Go?)
Recording - March 2012 - 41
Recording - March 2012 - 42
Recording - March 2012 - 43
Recording - March 2012 - Slate Pro Audio Fox Mic Preamp
Recording - March 2012 - 45
Recording - March 2012 - From Songwriting To Final Master: A Recording Project
Recording - March 2012 - 47
Recording - March 2012 - 48
Recording - March 2012 - 49
Recording - March 2012 - 50
Recording - March 2012 - 51
Recording - March 2012 - 52
Recording - March 2012 - 53
Recording - March 2012 - 54
Recording - March 2012 - 55
Recording - March 2012 - Reviewed & Revisited: Steinberg Cubase 6
Recording - March 2012 - 57
Recording - March 2012 - A Demo In A Day
Recording - March 2012 - 59
Recording - March 2012 - Once Over—Reviews In Brief
Recording - March 2012 - 61
Recording - March 2012 - 62
Recording - March 2012 - 63
Recording - March 2012 - Readers' Tapes
Recording - March 2012 - Advertiser Index
Recording - March 2012 - 66
Recording - March 2012 - 67
Recording - March 2012 - 68
Recording - March 2012 - 69
Recording - March 2012 - 70
Recording - March 2012 - 71
Recording - March 2012 - Fade Out
Recording - March 2012 - Cover3
Recording - March 2012 - Cover4
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