Recording - September 2012 - 57

While some of the Pro features (like Alchemy preset import and poly pitch bend and poly aftertouch via multitouch) are essential, I found the remote touchpad control of Alchemy to be more gimmicky than useful. First of all, just to get the feature to work, you must load Apple’s Bonjour service to your PC from either iTunes or during the installation of Alchemy. For a DAW user, any extra background services have always been a no-no. Also required is wireless connectivity from your PC. Having any type of LAN active in the background on a Windows PC— especially wireless—can cause DPC latency spikes which in turn cause audio glitches. Without wireless, my DPC latency is usually below 100 microseconds consistently on my current setup, but the instant I turn on wireless LAN, I get a major DPC spike every two seconds. Sorry, but I don’t want to remote-control Alchemy that badly; I’m told that it’s a bit smoother on a Mac. Conclusion That reservation aside (one feature out of many!), I find Alchemy Mobile a great mobile sketchpad to bring back to the studio. AM has some great stuff, a nice variety of great quality patches—even with the freebie version—that let you play with your iOS device on the go to get a song started. If you’re already an Alchemy user and own an iOS device, AM should be a no brainer. And at its price point, it’s nice to be portable with one of your favorite virtual instruments. And if you’ve never tried Alchemy in the past, try the free version to see for yourself how good Alchemy really can be. Price: free, $14.99 in-app for Pro version More from: Camel Audio, www.camelaudio.com Devon Brent (devon@recordingmag.com) is a musician and engineer working in Jacksonville, FL.

Welcome to the Library
Alchemy Mobile Free, as of this writing, has nine additional libraries beyond the factory content to load into the app as an in-app purchase: Arp Dimensions, BigTone, Biolabs Dark Space, Cinematic, Dance & Trance, Dream Voices, Dubstep, Guitar Mutations, and Luftrum Ambient. If you’ve bought the Pro upgrade and own the PC version of any of these libraries, you can download the Mobile library to your iPad for free. Here’s a look at five of the Alchemy Mobile versions of the libraries (you can read more about two others in our June 2012 issue). Arp Dimension – As the name implies, Arp Dimension is a bank of diverse electronic arpeggiation patterns. Many presets sound great and are musically useful. The library is sonically diverse, actually much better than many arp banks. Its only downfall is AM’s interface that doesn’t give as much granular control over the arp patterns as I’m used to. Still, if you like arps, I’d certainly recommend this bank. BigTone – The quality of the BigTone package was no surprise to me. I’ve been a longtime fan of Nico Herz’s expert programming skills and this set does not disappoint. The wonderful variety of pads, soundscapes and arps are the true gems in this package. If you’re looking for a range of sounds, I certainly recommend this set. Cinematic – Nothing puts a bigger smile on my face than playing a deeply intricate and layered pad sound. It’s even better when these can be used in a musical context and can be played outside of middle C on your keyboard. These expertly crafted patches are simply sublime and make a perfect backdrop for video or other multimedia projects. Guitar Mutations – A very eclectic selection of guitar oddities and manipulation of clean and distorted guitar sounds. While it didn’t float my boat as much as I had hoped (the sounds are a bit too sonically dense), its bizarre textures and soundscapes can be quite useful, again for video and multimedia. Luftrum Ambient – A pleasant surprise—the patches have a familiar feel to them, yet this bank has its own signature sound. A wonderful collection of arps, pads and soundscapes that can evoke a musically relevant emotion or vibe. Highly recommended.—DB


http://www.camelaudio.com http://www.stedmancorp.com http://www.realtraps.com

Recording - September 2012

Table of Contents for the Digital Edition of Recording - September 2012

Recording - September 2012
Fade In
Contents
Talkback
Fast Forward
State Of The DAW: 2012
WaveMachine Labs Auria
Cascade Microphones Fat Head II Active/Passive Ribbon Microphone
Jim Roach
Audio-Technica ATM25/LE Dynamic Microphone
Reviewed and Revisited: Yamaha 01V96i
Reviewed and Revisited: Adobe Audition for CS6
Recording Fundamentals. Chapter 9: Signal Flow
iOS Music Tools: IK Multimedia SampleTank for iOS
iOS Music Tools: Retronyms Tabletop
When A Musician Needs A Music Video
Focusrite Scarlett 2i2
iOS Music Tools: Camel Audio Alchemy Mobile
Recording’s Showcase of Sounds
Readers’ Tapes
Advertiser Index
Fade Out
Recording - September 2012 - intro
Recording - September 2012 - Recording - September 2012
Recording - September 2012 - Cover2
Recording - September 2012 - 1
Recording - September 2012 - 2
Recording - September 2012 - 3
Recording - September 2012 - Fade In
Recording - September 2012 - 5
Recording - September 2012 - Contents
Recording - September 2012 - 7
Recording - September 2012 - Talkback
Recording - September 2012 - 9
Recording - September 2012 - Fast Forward
Recording - September 2012 - 11
Recording - September 2012 - State Of The DAW: 2012
Recording - September 2012 - 13
Recording - September 2012 - 14
Recording - September 2012 - 15
Recording - September 2012 - WaveMachine Labs Auria
Recording - September 2012 - 17
Recording - September 2012 - 18
Recording - September 2012 - 19
Recording - September 2012 - 20
Recording - September 2012 - 21
Recording - September 2012 - Cascade Microphones Fat Head II Active/Passive Ribbon Microphone
Recording - September 2012 - 23
Recording - September 2012 - Jim Roach
Recording - September 2012 - 25
Recording - September 2012 - 26
Recording - September 2012 - 27
Recording - September 2012 - Audio-Technica ATM25/LE Dynamic Microphone
Recording - September 2012 - 29
Recording - September 2012 - Reviewed and Revisited: Yamaha 01V96i
Recording - September 2012 - 31
Recording - September 2012 - Reviewed and Revisited: Adobe Audition for CS6
Recording - September 2012 - 33
Recording - September 2012 - 34
Recording - September 2012 - 35
Recording - September 2012 - 36
Recording - September 2012 - 37
Recording - September 2012 - Recording Fundamentals. Chapter 9: Signal Flow
Recording - September 2012 - 39
Recording - September 2012 - 40
Recording - September 2012 - 41
Recording - September 2012 - iOS Music Tools: IK Multimedia SampleTank for iOS
Recording - September 2012 - 43
Recording - September 2012 - iOS Music Tools: Retronyms Tabletop
Recording - September 2012 - 45
Recording - September 2012 - When A Musician Needs A Music Video
Recording - September 2012 - 47
Recording - September 2012 - 48
Recording - September 2012 - 49
Recording - September 2012 - Focusrite Scarlett 2i2
Recording - September 2012 - 51
Recording - September 2012 - 52
Recording - September 2012 - 53
Recording - September 2012 - 54
Recording - September 2012 - 55
Recording - September 2012 - iOS Music Tools: Camel Audio Alchemy Mobile
Recording - September 2012 - 57
Recording - September 2012 - Recording’s Showcase of Sounds
Recording - September 2012 - 59
Recording - September 2012 - 60
Recording - September 2012 - 61
Recording - September 2012 - 62
Recording - September 2012 - 63
Recording - September 2012 - Readers’ Tapes
Recording - September 2012 - Advertiser Index
Recording - September 2012 - 66
Recording - September 2012 - 67
Recording - September 2012 - 68
Recording - September 2012 - 69
Recording - September 2012 - 70
Recording - September 2012 - 71
Recording - September 2012 - Fade Out
Recording - September 2012 - Cover3
Recording - September 2012 - Cover4
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