Recording - January 2013 - 70

2012 ANNUAL INDEX
Interviews
Jan Feb “How I Like To Record My Drums”: Pat Bautz, Al Bouchard, Chet McCracken, Steve Bowman Electric Lady Connections: John Storyk, Eddie Kramer, Michael H. Brauer Sebastian Arocha Morton: Matching The Singer and The Song Emmylou Harris and her creative team: Jay Joyce, Jason Hall, Giles Reaves Ronan Chris Murphy: Advice for the Singer/Songwriter Lynne Arriale’s Solo—A Piano Solo Recording Of Note Jason Gutierrez records Fanny Franklin’s Get Wet Mike Pappas on Miking A Symphony Orchestra For A Commercial Mark De Clive-Lowe on producing hits Recording Frank Gambale’s Soulmine with Robert M. Biles Jim Roach on strategies for success Celeste Lear on independent production, mixing, and motivation Howie Weinberg masters an album mixed by Paul Vnuk Jr. Q&A With The Masters: David Glasser and Brad Blackwood on preparation for mastering Blue-Collar Mastering: Chris Sonia of Dauntless Mastering James Abdo’s BrokenWorks Productions

Columns
Recording Fundamentals Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec Chapter 1: What Is Good? Chapter 2: Introduction To Audio—Part 1 (What Is Sound?) Chapter 3: Introduction To Audio—Part 2 (Where Do The Mics Go?) Chapter 4: Introduction To Microphones—Part 1 (History And Design) Chapter 5: Introduction To Microphones—Part 2 (Directionality) Chapter 6: Introduction To Microphones—Part 3 (From Proximity To Plosives) Chapter 7: The Music Production Process—An Overview from A to Z Chapter 8: The Music Production Process—Who Does What Chapter 9: Signal Flow—Part 1 Chapter 10: Signal Flow—Part 2 Chapter 11: Signal Flow—Part 3 Chapter 12: Monitors—Part 1

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Fade Out Jan Feb Mar Apr May Jun Jul Aug Sep Oct Nov Dec Listening—The First Step On The Road To Great Recordings, by Kelly Dueck Take A TAXI To The Top, by Brent Heintz Words And Ideas From PreSonuSphere, by Mike Metlay Do You Need To Hire A Studio Drummer?, by Steve Bowman Listening To Learn, by Mike Metlay Solutions Are Easy—Finding The Right Problem Can Be Tricky!, by Mike Metlay Recording Acoustic Guitars: An Audiophile’s Approach, by Mark Waldrep Misused Words, by Scott Dorsey Engineering Quiz—How Do You Measure Up?, by Jon Bare Where Do We Go From Here?, by Mike Metlay Taking A Historical VU, by Scott Dorsey To Master Or Not To Master, That Is The Question, by Mark Waldrep

Dec

JANUARY FEBRUARY MARCH APRIL MAY JUNE JULY
Features
Jan Feb Mar Apr May Jun Jul 2011 AES Convention Report Recording Drums—Then And Now Drumming and Drummers and Mics—Oh My! Mixing Live Drum Tracks Sing, Sing a Song: Recording Inexperienced Singers Stellar Singing From Small Studios The Mixing Workshop: Tips For Mixing Vocals Songwriters—Turn Your Songs Into Money! From Songwriting To Final Master: A Recording Project A Demo In A Day 2012 Winter NAMM Show Report Noises In—Noises Out The Science And Art Of Ambisonics Do It Yourself: Make Your Own Check Mix Monitor Miking Instruments: The Lost Art SXSW 2012 Show Report Finale 2012 As A Tool For Sample Playback Recording Electric Guitars Hybrid Analog/Digital Recording Reamping—Your Second Bite At The Apple Stereo Microphone Techniques Scott Petito on Guitar Recording Sibelius 7 As A Tool For Sample Playback. Part 1: The Sibelius Sounds and Mixer The Player’s The Thing Computer Composition—A Workflow Report The Making of Bruce Kaphan’s Quartet State Of The DAW 2012 When A Musician Needs A Music Video... A Silver Celebration: 25 Years of Recording! Approaching The Mix Mixing—Rethinking The Process DIY Mastering Sibelius 7 As A Tool For Sample Playback. Part 2: Adding Third-Party Virtual Instruments A Time To Give: Techniques for Capturing Family Histories PreSonuSphere 2012 Report

2012 ANNU
Reviews
(*indicates items Reviewed & Revisited) Mixers/Recorders/Desktop Workstations Mar Jun Sep Dec BOSS MICRO BR BR-80 Digital Recorder Olympus LS-20M and LS-100 Portable Recorders Yamaha 01V96i* Unit Audio Micro-Unit passive summing mixer Microphones Jan Feb Mojave Audio MA-300 Lewitt Audio LCT 640 Kel Audio Song Sparrow Earthworks SR40V RØDE Limited Edition Black Classic II May Kel Audio HM-7U and HM-3C AKG Perception 120 USB mic Earthworks SR20 Audio-Technica AT4050ST stereo mic Jun Milab DC-96B and DC-96C Sennheiser MK 4

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RECORDING January 2013
Recording - January 2013

Table of Contents for the Digital Edition of Recording - January 2013
