Recording - March 2013 - 59

In use
Setting up the VST version of the H3000
Factory on my 64-bit Windows 7 machine
with the iLok 2 dongle (the iLok 1 won’t
work) went pretty smoothly. A few Next,
Next, Finish clicks and I was up and running in my host. Installing and registering
the iLok 2 went pretty smoothly, too.
As someone who’s owned an Eventide
unit for well over a decade, I can state that
the H3000 Factory provides the signature
Eventide sound. Even better, for those who
like to dive deep into editing, the plug-in
interface is far and away more intuitive than
the VSig editor for the hardware units.
Because the H3000 is modular in design,
it will undoubtedly take some time to get
your head wrapped around its power and
flexibility. Couple the routing power with
one of the things Eventide does best, which
is pitch shifting, and you’ve got one heck of
an effects powerhouse. However, here’s
one for the wish list: To make experimentation with the cable routing easier, Eventide
could indicate one color for the cable connection that is possible and another color
when it’s not possible, instead of just putting
a red ring around an input when the mouse
cursor is hovering over it.
Because the H3000 is a multi-effects
processor, its uses run the gamut. Putting
it through its paces left a smile on my
face, just as my hardware unit has done
for me for years. Thickening a vocal take,
providing rhythmic variety to a boring
drum loop, or even warping your audio
into something strange and wonderful,
the H3000 Factory does it well and in its
own style. While not all the presets are
necessarily “musically useful” or something that would float your boat, it just
proves it’s more than a one-trick pony.
If there is one disappointing fact, it
would be that the H3000 Factory is not a
complete emulation of the H3000 hardware. It carries a small portion of the 24
algorithms from the highest-end H3000
Series. Sadly, the reverb modules, which
to me are another reason to own an
Eventide, are missing in action. Still, what
is provided, with the pitch shifter and
delays, is still what makes an Eventide an
“Eventide.”
Conclusion
Aside from the fact that the H3000
Factory plug-in is not the equivalent of a
full-blown hardware H3000, this
Eventide offering is still the real deal
through and through. If you’ve craved
those insanely wild effects, those naturally dense vocal doublers, or just love the
Eventide sound as I have for years, the
H3000 Factory is a worthy addition to
your collection of useful effects.


 
 


http://www.clearsonic.com http://www.clearsonic.com http://www.recordingmag.com

Recording - March 2013

Table of Contents for the Digital Edition of Recording - March 2013

Recording - March 2013
Fade In
Table of Contents
Talkback
Fast Forward
Behringer X32
MXL CR30 Large-Diaphragm Condenser Microphone
Plug-in Performance on Windows-based DAWs
Steinberg CMC Series USB Controllers For Cubase
Recording’s Showcase of Sounds: Rob Papen Punch
Plug-in Outlet: 2C Audio B2
Universal Audio Precision K-Stereo and Shadow Hills Mastering Compressor
Big Money Drums—Part 2
Reviewed & Revisited: Acoustica Mixcraft 6
Plug-in Outlet: Massey Plugins CT5 Compressor
The Mixing Workshop: Better Mixes Through Creative Editing—Part 2 (The Band)
Readers' Tapes
Kush Audio Clariphonic Parallel Equalizer and Clariphonic DSP Plug-in
Plug-in Outlet: Eventide H3000 Factory
Reviewed & Revisited: iZotope Alloy 2
Recording Fundamentals. Chapter 15: Sweet Spot Conundrums—Part 2
Plug-in Outlet: PSP Audioware PSP BussPressor
Advertiser Index
Fade Out
Recording - March 2013 - Recording - March 2013
Recording - March 2013 - Cover2
Recording - March 2013 - 1
Recording - March 2013 - 2
Recording - March 2013 - 3
Recording - March 2013 - Fade In
Recording - March 2013 - 5
Recording - March 2013 - Table of Contents
Recording - March 2013 - 7
Recording - March 2013 - Talkback
Recording - March 2013 - 9
Recording - March 2013 - Fast Forward
Recording - March 2013 - 11
Recording - March 2013 - 12
Recording - March 2013 - 13
Recording - March 2013 - Behringer X32
Recording - March 2013 - 15
Recording - March 2013 - 16
Recording - March 2013 - 17
Recording - March 2013 - 18
Recording - March 2013 - 19
Recording - March 2013 - MXL CR30 Large-Diaphragm Condenser Microphone
Recording - March 2013 - 21
Recording - March 2013 - Plug-in Performance on Windows-based DAWs
Recording - March 2013 - 23
Recording - March 2013 - 24
Recording - March 2013 - 25
Recording - March 2013 - 26
Recording - March 2013 - 27
Recording - March 2013 - Steinberg CMC Series USB Controllers For Cubase
Recording - March 2013 - 29
Recording - March 2013 - Recording’s Showcase of Sounds: Rob Papen Punch
Recording - March 2013 - 31
Recording - March 2013 - 32
Recording - March 2013 - 33
Recording - March 2013 - Plug-in Outlet: 2C Audio B2
Recording - March 2013 - 35
Recording - March 2013 - Universal Audio Precision K-Stereo and Shadow Hills Mastering Compressor
Recording - March 2013 - 37
Recording - March 2013 - 38
Recording - March 2013 - 39
Recording - March 2013 - Big Money Drums—Part 2
Recording - March 2013 - 41
Recording - March 2013 - 42
Recording - March 2013 - 43
Recording - March 2013 - Reviewed & Revisited: Acoustica Mixcraft 6
Recording - March 2013 - 45
Recording - March 2013 - Plug-in Outlet: Massey Plugins CT5 Compressor
Recording - March 2013 - 47
Recording - March 2013 - The Mixing Workshop: Better Mixes Through Creative Editing—Part 2 (The Band)
Recording - March 2013 - 49
Recording - March 2013 - Readers' Tapes
Recording - March 2013 - 51
Recording - March 2013 - 52
Recording - March 2013 - 53
Recording - March 2013 - 54
Recording - March 2013 - 55
Recording - March 2013 - Kush Audio Clariphonic Parallel Equalizer and Clariphonic DSP Plug-in
Recording - March 2013 - 57
Recording - March 2013 - Plug-in Outlet: Eventide H3000 Factory
Recording - March 2013 - 59
Recording - March 2013 - Reviewed & Revisited: iZotope Alloy 2
Recording - March 2013 - 61
Recording - March 2013 - Recording Fundamentals. Chapter 15: Sweet Spot Conundrums—Part 2
Recording - March 2013 - 63
Recording - March 2013 - Plug-in Outlet: PSP Audioware PSP BussPressor
Recording - March 2013 - Advertiser Index
Recording - March 2013 - 66
Recording - March 2013 - 67
Recording - March 2013 - 68
Recording - March 2013 - 69
Recording - March 2013 - 70
Recording - March 2013 - 71
Recording - March 2013 - Fade Out
Recording - March 2013 - Cover3
Recording - March 2013 - Cover4
https://www.nxtbook.com/musicmaker/musicmaker/recording_202502
https://www.nxtbook.com/musicmaker/musicmaker/recording_202501
https://www.nxtbook.com/musicmaker/musicmaker/recording_202412
https://www.nxtbook.com/musicmaker/musicmaker/recording_202411
https://www.nxtbook.com/musicmaker/musicmaker/recording_202410
https://www.nxtbook.com/musicmaker/musicmaker/recording_202409
https://www.nxtbook.com/musicmaker/musicmaker/recording_202408
https://www.nxtbook.com/musicmaker/musicmaker/recording_202407
https://www.nxtbook.com/musicmaker/musicmaker/recording_202406
https://www.nxtbook.com/musicmaker/musicmaker/recording_202405
https://www.nxtbook.com/musicmaker/musicmaker/recording_202404
https://www.nxtbook.com/musicmaker/musicmaker/recording_202403
https://www.nxtbook.com/musicmaker/musicmaker/recording_202402
https://www.nxtbook.com/musicmaker/musicmaker/recording_202401
https://www.nxtbook.com/musicmaker/musicmaker/recording_202312
https://www.nxtbook.com/musicmaker/musicmaker/recording-november-2023
https://www.nxtbook.com/musicmaker/musicmaker/recording_202310
https://www.nxtbook.com/musicmaker/musicmaker/recording_202309
https://www.nxtbook.com/musicmaker/musicmaker/recording_202308
https://www.nxtbook.com/musicmaker/musicmaker/recording_202307
https://www.nxtbook.com/musicmaker/musicmaker/recording_202306
https://www.nxtbook.com/musicmaker/musicmaker/recording_202305
https://www.nxtbook.com/musicmaker/musicmaker/recording_202304
https://www.nxtbook.com/musicmaker/musicmaker/recording_202303
https://www.nxtbook.com/musicmaker/musicmaker/recording_202302
https://www.nxtbook.com/musicmaker/musicmaker/recording_202301
https://www.nxtbook.com/musicmaker/musicmaker/recording_202212
https://www.nxtbook.com/musicmaker/musicmaker/recording_202211
https://www.nxtbook.com/musicmaker/musicmaker/recording_202210
https://www.nxtbook.com/musicmaker/musicmaker/recording_202209
https://www.nxtbook.com/musicmaker/musicmaker/recording_202208
https://www.nxtbook.com/musicmaker/musicmaker/recording_202207
https://www.nxtbook.com/musicmaker/musicmaker/recording_202206
https://www.nxtbook.com/musicmaker/musicmaker/recording_202205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202204
https://www.nxtbook.com/musicmaker/musicmaker/recording_202203
https://www.nxtbook.com/musicmaker/musicmaker/recording_202202
https://www.nxtbook.com/musicmaker/musicmaker/recording_202201
https://www.nxtbook.com/musicmaker/musicmaker/recording_202112
https://www.nxtbook.com/musicmaker/musicmaker/recording_202111
https://www.nxtbook.com/musicmaker/musicmaker/recording_202110
https://www.nxtbook.com/musicmaker/musicmaker/recording_202109
https://www.nxtbook.com/musicmaker/musicmaker/recording_202108
https://www.nxtbook.com/musicmaker/musicmaker/recording_202107
https://www.nxtbook.com/musicmaker/musicmaker/recording_202106
https://www.nxtbook.com/musicmaker/musicmaker/recording_202105
https://www.nxtbook.com/musicmaker/musicmaker/recording_202104
https://www.nxtbook.com/musicmaker/musicmaker/recording_202103
https://www.nxtbook.com/musicmaker/musicmaker/recording_202102
https://www.nxtbook.com/musicmaker/musicmaker/recording_202101
https://www.nxtbook.com/musicmaker/musicmaker/recording_202012
https://www.nxtbook.com/musicmaker/musicmaker/recording_202011
https://www.nxtbook.com/musicmaker/musicmaker/recording_202010
https://www.nxtbook.com/musicmaker/musicmaker/recording_202009
https://www.nxtbook.com/musicmaker/musicmaker/recording_202008
https://www.nxtbook.com/musicmaker/musicmaker/recording_202007
https://www.nxtbook.com/musicmaker/musicmaker/recording_202006
https://www.nxtbook.com/musicmaker/musicmaker/recording_20205
https://www.nxtbook.com/musicmaker/musicmaker/recording_202004
https://www.nxtbook.com/musicmaker/musicmaker/recording_202003
https://www.nxtbook.com/musicmaker/musicmaker/recording_202002
https://www.nxtbook.com/musicmaker/musicmaker/recording_202001
https://www.nxtbook.com/musicmaker/musicmaker/recording_201912
https://www.nxtbook.com/musicmaker/musicmaker/recording_201911
https://www.nxtbook.com/musicmaker/musicmaker/recording_201910
https://www.nxtbook.com/musicmaker/musicmaker/recording_201909
https://www.nxtbook.com/musicmaker/musicmaker/recording_201908
https://www.nxtbook.com/musicmaker/musicmaker/recording_201907
https://www.nxtbook.com/musicmaker/musicmaker/recording_201906
https://www.nxtbook.com/musicmaker/musicmaker/recording_201905
https://www.nxtbook.com/musicmaker/musicmaker/recording_201904
https://www.nxtbook.com/musicmaker/musicmaker/recording_201903
https://www.nxtbook.com/musicmaker/musicmaker/recording_201902
https://www.nxtbook.com/musicmaker/musicmaker/recording_201901
https://www.nxtbook.com/musicmaker/musicmaker/recording_201812
https://www.nxtbook.com/musicmaker/musicmaker/recording_201811
https://www.nxtbook.com/musicmaker/musicmaker/recording_201810
https://www.nxtbook.com/musicmaker/musicmaker/recording_201809
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201808
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201807
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201806
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201805
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201804
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201803
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201802
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201801
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201712
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201711
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201710
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201709
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201708
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201707
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201706
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201705
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201704
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201703
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201702
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201701
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201612
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201611
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201610
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201609
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201608
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201607
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201606
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201605
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201604
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201603
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201602
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201601
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201512
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201511
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201510
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201509
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201508
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201507
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201506
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201505
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201504
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201503
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201502
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201501
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201412
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201411
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201410
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201409
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201408
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201407
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201406
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201405
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201404
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201403
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201402
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201401
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201312
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201311
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201310
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201309
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201308
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201307
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201306
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201305
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201304
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201303
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201302
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201301
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201212
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201211
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201210
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201209
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201208
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201207
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201206
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201205
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201204
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201203
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201202
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201201
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201112
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201111
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201110
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201109
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201108
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201107
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201106
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201105
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201104
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201103
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201102
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201101
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201012
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201011
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201010
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201009
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201008
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201007
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201006
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201005
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201004
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201003
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201002
https://www.nxtbook.com/nxtbooks/musicmaker/recording_201001
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200912
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200911
https://www.nxtbook.com/nxtbooks/musicmaker/recording_200910
https://www.nxtbook.com/nxtbooks/musicmaker/nxtd
https://www.nxtbookmedia.com