Recording - July 2013 - 37

G recording did not really require compression. The sound was much more balanced
over the complete range of the instrument.
Next up I plugged in an old acoustic
outfitted with a magnetic sound-hole pickup. This is a guitar that I love to play. It
has a certain resistance that makes it
ideal for bluesy material where you want
to dig in. I often play it with a slide. I
always record this guitar directly and
reamplify during the mixing phase, dialing in an appropriate amp tone to suit the
rest of the track.
Again there was a startling difference.
The original, in comparison to the Mighty
G, sounded thin and brittle, with little
character in the mids and lows. The
Mighty G recording sounded full and
complex even before the reamping. The
results of reamping back to one of my
tube guitar amps were very satisfying.
I could go on, but suffice to say I got
similar results doing back-to-back comparisons of recordings of various keyboards. The Mighty G captured nuance
that I didn’t even know I was missing. I
am dying to try this unit with an old
Wurlitzer or Fender Rhodes.
Final thoughts
I do question the value of not outfitting
the default version of the Mighty G with a
1
/4" output since for most live purposes,
on stage or in the studio, the signal would
get split back to an amp or a monitor. and
in this uncertain world of live performance
and recording, I think a ground lift switch
is pretty much a necessity. I can’t remember a live date where ground problems of
one sort or another haven’t been part of
my trouble-shooting routine. Sage seems
to feel that a lot of artists would rather
save the money while getting great-sounding signals to a mixer or PA, but I would
strongly recommend ponying up the extra
dollars for the “optional” features.
That said, I have no problem getting
behind this product. You’ll pay a little more
than you would for some DIs, but you will
have long forgotten those few extra bucks
when you’re basking in the glow of your
glorious new recordings. Even fully tricked
out with the extra jack and the ground lift,
you’re still only putting out as much cash as
you would for a modestly-priced quality
microphone. My eyes—and ears—have
been opened!
Prices: SE-DI3 m and f, $299 CDN
each; SE-DI3 s (with ground lift and parallel 1/4" output), $349 CDN
More from: Sage Electronics,
www.sageelectronics.com
Bill Stunt (stunt@recordingmag.com) is
a recording engineer and producer for
the Canadian Broadcasting Corporation,
with a home base in Ottawa, Ontario.

http://www.isoacoustics.com http://www.isoacoustics.com http://www.pearlmanmicrophones.com http://www.sageelectronics.com http://www.pearlmanmicrophones.com

Recording - July 2013

Table of Contents for the Digital Edition of Recording - July 2013

Recording - July 2013
Fade In
Contents
Talkback
Fast Forward
Sontronics Halo Guitar Cabinet Microphone
Radial Engineering StageBug SB-1 and SB-2 Direct Boxes
Zoom MS-100BT MultiStomp Guitar Pedal
Heptode Virtuoso Phase Shifter
Roland GC-1 GK-Ready Stratocaster and GR-S and GR-D V-Guitar Pedals
A Guitar Recording Primer. Part 1: Electric Guitars
Sage Electronics SE-DI3 Mighty G Active Direct Box
Sonic Farm 2DI4 Pentode Direct Box
Nine Guitar Recording Ideas
KEF LS50 Monitor 50th Anniversary Model
Millennia HV-37 Microphone and Instrument Preamplifier
Marty Stuart’s Grammy®-Winning Guitar Sounds
Readers’ Tapes
Recording Fundamentals. Chapter 19: Headphones—Part 2
iOS Music Tools: MIDI Designer
iOS Music Tools: A Tasty Pixel/Audanika Audiobus
Plug-in Outlet: PSP Audioware PSP SpringBox
Advertiser Index
Fade Out
Recording - July 2013 - Intro
Recording - July 2013 - Recording - July 2013
Recording - July 2013 - Cover2
Recording - July 2013 - 1
Recording - July 2013 - 2
Recording - July 2013 - 3
Recording - July 2013 - Fade In
Recording - July 2013 - Contents
Recording - July 2013 - 6
Recording - July 2013 - 7
Recording - July 2013 - Talkback
Recording - July 2013 - 9
Recording - July 2013 - 10
Recording - July 2013 - 11
Recording - July 2013 - Fast Forward
Recording - July 2013 - 13
Recording - July 2013 - Sontronics Halo Guitar Cabinet Microphone
Recording - July 2013 - 15
Recording - July 2013 - Radial Engineering StageBug SB-1 and SB-2 Direct Boxes
Recording - July 2013 - 17
Recording - July 2013 - Zoom MS-100BT MultiStomp Guitar Pedal
Recording - July 2013 - 19
Recording - July 2013 - Heptode Virtuoso Phase Shifter
Recording - July 2013 - 21
Recording - July 2013 - Roland GC-1 GK-Ready Stratocaster and GR-S and GR-D V-Guitar Pedals
Recording - July 2013 - 23
Recording - July 2013 - A Guitar Recording Primer. Part 1: Electric Guitars
Recording - July 2013 - 25
Recording - July 2013 - 26
Recording - July 2013 - 27
Recording - July 2013 - 28
Recording - July 2013 - 29
Recording - July 2013 - 30
Recording - July 2013 - 31
Recording - July 2013 - 32
Recording - July 2013 - 33
Recording - July 2013 - 34
Recording - July 2013 - 35
Recording - July 2013 - Sage Electronics SE-DI3 Mighty G Active Direct Box
Recording - July 2013 - 37
Recording - July 2013 - 38
Recording - July 2013 - 39
Recording - July 2013 - Sonic Farm 2DI4 Pentode Direct Box
Recording - July 2013 - 41
Recording - July 2013 - Nine Guitar Recording Ideas
Recording - July 2013 - 43
Recording - July 2013 - 44
Recording - July 2013 - 45
Recording - July 2013 - KEF LS50 Monitor 50th Anniversary Model
Recording - July 2013 - 47
Recording - July 2013 - Millennia HV-37 Microphone and Instrument Preamplifier
Recording - July 2013 - 49
Recording - July 2013 - Marty Stuart’s Grammy®-Winning Guitar Sounds
Recording - July 2013 - 51
Recording - July 2013 - Readers’ Tapes
Recording - July 2013 - 53
Recording - July 2013 - 54
Recording - July 2013 - 55
Recording - July 2013 - 56
Recording - July 2013 - 57
Recording - July 2013 - Recording Fundamentals. Chapter 19: Headphones—Part 2
Recording - July 2013 - 59
Recording - July 2013 - iOS Music Tools: MIDI Designer
Recording - July 2013 - 61
Recording - July 2013 - iOS Music Tools: A Tasty Pixel/Audanika Audiobus
Recording - July 2013 - 63
Recording - July 2013 - Plug-in Outlet: PSP Audioware PSP SpringBox
Recording - July 2013 - Advertiser Index
Recording - July 2013 - 66
Recording - July 2013 - 67
Recording - July 2013 - 68
Recording - July 2013 - 69
Recording - July 2013 - 70
Recording - July 2013 - 71
Recording - July 2013 - Fade Out
Recording - July 2013 - Cover3
Recording - July 2013 - Cover4
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