Recording - March 2014 - 22
Don't make the mistake I once made, of buying speakers
based on the advice of an engineer who had phenomenal
ears but who wasn't me, working in my space. You should
read all the articles and reviews you can, in this magazine
or online, but ultimately you must test speakers in your room
with material that's relevant to you.
If you have friends with monitors they like, borrow them
and see how they feel in your own space. In lieu of that,
find a company or store that has a good selection of pro
audio speakers and a controlled listening room for auditioning. AID (Audio Intervisual Design) in Los Angeles is a
good example.
So, with a few speaker choices in mind, make a playlist of
songs or audio with which to judge potential monitors.
Choose music that you know like the back of your hand, and
that sounds like what you'll be listening to in your own space.
There's no hyperbole in that first item. You have to know
the material, so if the speaker isn't giving you what you
know is there, you can hear that. While it's
always great to have reference tracks
you've worked on and can really dissect,
other artists' material that you've lived with
forever is crucial as well.
For me, my first test song was "Civil War"
by Guns N' Roses, simply because I had listened to it so many times. I knew the exact
timbre in the crack of the snare, the incomparable distortion in the guitars, the highmid whine in Axl's voice. I could instantly tell
when something wasn't as I remembered it.
The tracks you'll choose will fit your ears
and memory as this track fits mine.
The second item should tie your test material
to the work you'll be doing. When I did my first
movie score, I listened to other scores for psychological thrillers ad nauseam, to understand
the use of the audio spectrum and how it
sounded through my speakers. My Dynaudio
BM6A MkIIs turned out to be perfect for scoring; I later traded them out for something that I
felt worked better for my later projects in rock.
As an example of tying speaker performance
to genre, to my ears "Rock" is midrange punch,
a solid low and high end but nothing too sparkly or boomy. You want a heaviness that isn't as
powerful as what you'd expect in Hip Hop, and
brilliance that isn't Pop shiny.
I could spend a thousand words detailing
my own experiences with monitors-my positive results with the Dynaudios for orchestral
scoring and with KRK's V6 monitors for rock,
Recording - March 2014
Table of Contents for the Digital Edition of Recording - March 2014
Contents
Recording - March 2014 - Cover1
Recording - March 2014 - Cover2
Recording - March 2014 - 1
Recording - March 2014 - 2
Recording - March 2014 - 3
Recording - March 2014 - 4
Recording - March 2014 - 5
Recording - March 2014 - Contents
Recording - March 2014 - 7
Recording - March 2014 - 8
Recording - March 2014 - 9
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Recording - March 2014 - Cover3
Recording - March 2014 - Cover4
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