Recording - August 2014 - 38

Multiple headphone mixes can be done
in any DAW with prefader auxiliary
sends, assuming your audio interface has
enough outputs. To set these balances I
usually start by making the headphone
mix sound perfectly balanced, then lower
certain instruments in the individual mixes
as needed. Basically I will do a separate
mix for each room that musicians are in,
tailored to what they are already hearing
acoustically. I will also do an individual
mix for any singers, as they will need to
be just a little extra loud in their own headphones so they can sing in tune. Worse
than usual intonation from a singer is
sometimes an indication that they cannot
hear themselves. Also keep in mind that
some musicians will have a hard time
identifying what is wrong with their headphone mix, or clearly expressing it to you.
That's why it is very important to listen to

the headphone mixes during your first few
takes, then recheck them periodically during the session.
Listenback microphones are also very
helpful to keep things moving. For example, if you have a guitar player in an isolation room with an amp, the mic on that
amp will do a very poor job of picking up
the guitarist speaking to the rest of the
band. I'll give this guitar player a vocal
mic and route it into the headphone mix
without recording it.
Once the guitar starts shredding, that
mic would become a problem in the
headphones, as you would hear all this
extra guitar coming through. The cool
trick to avoid this is to put a compressor
plug-in on the listenback mic. Set the highest possible ratio, fast attack, and slow
release, like a full second, and leave the
output gain alone; do not boost it. Set the

threshold so that the compressor is just on
the edge of compressing when the guitarist speaks, and compresses like crazy
once he starts shredding. It may help to
put the mic closer to the amp than to the
guitarist to get this right. Once he starts
playing, the compressor will attenuate the
guitar out of the headphone mix. Once
he stops playing, the gain will come back
up and everyone will be able to hear him
speaking.
You can set up a listenback mic in the
middle of any room where it is difficult to
hear people talking between takes, and it
will help keep the creative flow going!
And of course make sure the engineer
has a talkback mic to regularly tell the
band how awesome they sound, or at
least how cool they look.
Isolation
The Black Keys (Dan Auerbach and
Patrick Carney) decided to somewhat
ignore isolation when tracking their album
El Camino. Having tracked a previous
album in the Muscle Shoals Sound Studio
building, Auerbach decided to build an
old school one-room studio of his own:



http://www.cloudmicrophones.com

Recording - August 2014

Table of Contents for the Digital Edition of Recording - August 2014

Contents
Recording - August 2014 - Cover1
Recording - August 2014 - Cover2
Recording - August 2014 - 1
Recording - August 2014 - 2
Recording - August 2014 - 3
Recording - August 2014 - 4
Recording - August 2014 - 5
Recording - August 2014 - Contents
Recording - August 2014 - 7
Recording - August 2014 - 8
Recording - August 2014 - 9
Recording - August 2014 - 10
Recording - August 2014 - 11
Recording - August 2014 - 12
Recording - August 2014 - 13
Recording - August 2014 - 14
Recording - August 2014 - 15
Recording - August 2014 - 16
Recording - August 2014 - 17
Recording - August 2014 - 18
Recording - August 2014 - 19
Recording - August 2014 - 20
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Recording - August 2014 - Cover3
Recording - August 2014 - Cover4
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