Recording - July 2015 - 29

hold true is that input and/or output levels
may vary a tad when compared to the marks
and settings on their hardware equivalents.
The torture test: mixdown
Taking this same tack, I proceeded to
the actual mixing stage. I pulled up one
Vision channel for every track on my session and mixed as I would on a real console, using each module liberally from the
highpass to the EQ and everything in
between. I also added a Vision Strip to
my master bus for glue and grins.
This is a plug-in that stacks well and
gives a great analog weight and feel to a
mix, not in a dirty overblown mushy way,
but as a subtle stacked buildup that stays
out of the way and just sounds good. I
was pleasantly surprised at how much I
liked the Vision strip on the master bus,
especially its compressor when set SSL
style, i.e. very fast and just tickling the
meter. As a good bus compressor should
do, it helps lift and separate when set this
way rather than being thick and squashy.
Further comparisons
I did try and compare the 225 compressor with the 527 hardware, using only the
appropriate settings and bypassing the rest.
While I could not match them perfectly, I
could tell that UA did a great job with reaction times, as well as with the New/Old circuit selection, which functioned spot on.
Similarly I ignored the high-mid band of
the plug-in and did some matching as closely as I could between the 550A on The
Channel Strip and the 550L of the plug-in.
The sound was again quite close, especially in a mix, where I was hard pressed to
pick out the hardware vs. the software.
With both the EQ and the compressor,
the usual "analog air difference" did
raise its head. Similarly to my experience
with UA's Manley Massive Passive plugin, it was ever so slight, and again all but
imperceptible in a full mix.
Conclusions
I think UA's having nailed this model so
well is due in no small part to API's consistency of sound across its products. Overall
API gear tends to be less variable in its
sound than gear from many older vintage
companies, where one module often sounds
drastically different than another. You could
almost say that every API is a "golden unit".
I won't say that. What I will say is, bravo
to both UA and API on the Vision Channel
Strip! This is a fantastic console strip emulation on every level. The 212L mic pre
alone will see lots of use on my tracking sessions; thanks to Unison, I will use it without
reservation... and so can you.
Price: $299
More from: Universal Audio,
www.uaudio.com
RECORDING July 2015

29



http://www.dpamicrophones.com http://www.uaudio.com http://www.dpamicrophones.com

Table of Contents for the Digital Edition of Recording - July 2015

Contents
Recording - July 2015 - Cover1
Recording - July 2015 - Cover2
Recording - July 2015 - 1
Recording - July 2015 - 2
Recording - July 2015 - 3
Recording - July 2015 - 4
Recording - July 2015 - 5
Recording - July 2015 - Contents
Recording - July 2015 - 7
Recording - July 2015 - 8
Recording - July 2015 - 9
Recording - July 2015 - 10
Recording - July 2015 - 11
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Recording - July 2015 - 13
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Recording - July 2015 - 15
Recording - July 2015 - 16
Recording - July 2015 - 17
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Recording - July 2015 - 28
Recording - July 2015 - 29
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Recording - July 2015 - Cover3
Recording - July 2015 - Cover4
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