Recording - March 2018 - 43
horns, and powerful bass lines. The LYD
48's stereo image has a strong phantom
center, and I felt a great sense of space
between the different string sections in
this arrangement. Especially since Snarky
Puppy records live, I could visualize the
orientation of instruments very clearly.
With the extensive brass and string
sections, I noticed unexpected warmth,
a gentle top end, clean midrange attack
and resonance, and a healthy bottom
end that's significantly extended from
the LYD 7's. The dedicated woofer goes
a long ways-it's far from being overbearing, but feels tight and present. I no
longer felt the need for an LFE channel
to get "the whole picture."
The overall listening experience feels
very clean, yet far from what I would
turn to for daily pleasure listening or to
thrill clients. The LYD 48s state the facts,
and show no mercy when there are
blaring trouble spots in your mix. That
was the case when I opened up some
band work I've been mixing recently-
it was a truly humbling experience!
After wrestling with my mixes, I
eventually found a place that felt much
more detailed than I was able to do
previously-in terms of panning, spatial
placement, and removing some honks
that I hadn't previously heard in the
low midrange of the guitar tracks. To
double check, I played the LYD mixes
on my trusty car stereo for a translation check, and was very excited by
PRICE: $1149 each
MORE FROM: Dynaudio,
www.dynaudio.com
RECORDING March 2018
43
the results. While these aren't very
flattering monitors, once you get your
mix sounding good on them, you can
be very confident about how they'll
translate to other systems.
Conclusion
The LYD 48, with its 3-way design is
an excellent addition to the LYD family
that really feels like a natural extension
of the existing lineup. Its emphasis on
accuracy, efficient design, and flexible
DSP settings, really make the LYD 48 a
precision mixing tool.
If you are looking for a studio
monitor with huge amounts of bass
and a flattering response to impress
clients, I would look elsewhere.
These monitors wouldn't be the
best for daily pleasure listening, but
when it comes to mixing, they are
uncompromising. Once the mix has
been checked on LYD 48's, you can
be confident that the mix is done!
Alex Hawley (alex@recordingmag.
com) is a recording engineer and
musician working in Boulder, CO.
http://www.dynaudio.com
Table of Contents for the Digital Edition of Recording - March 2018
Contents
Recording - March 2018 - Intro
Recording - March 2018 - Cover1
Recording - March 2018 - Cover2
Recording - March 2018 - 1
Recording - March 2018 - 2
Recording - March 2018 - 3
Recording - March 2018 - 4
Recording - March 2018 - 5
Recording - March 2018 - Contents
Recording - March 2018 - 7
Recording - March 2018 - 8
Recording - March 2018 - 9
Recording - March 2018 - 10
Recording - March 2018 - 11
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Recording - March 2018 - Cover3
Recording - March 2018 - Cover4
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